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Marion Newman as Tsianina Redfeather in I Call Myself Princess. Photo: Dahlia Katz

Review: “Thought-provoking and very funny” new play-opera I Call myself Princess tackles cultural appropriation at premiere in Toronto

Editor - September 18, 2018

Sophie Goldrick (Moppett), Lydia Marchione (Poppett) and Fflur Wyn (Fido) in English National Opera’s Paul Bunyan. Photo: Genevieve Girling

Review: English National Opera’s high-energy production of Paul Bunyan an “immersive theatrical event”

Bradley Christensen (the Giant), Marlise Ritchie (Mrs. Nimble) and Nolan Kehler (Jack) in Manitoba Underground Opera' s Jack and the Beanstalk. Photo: Paul McKeen

Review: Manitoba Underground Opera wraps up another season of re-imagined classics

Sebastian Haboczki (Rodolfo) and Bruno Roy (Marcello) in Highlands Opera Studio's La Bohème. Photo: John Martens

Review: Highlands Opera Studio 1940s La Bohème much more than an operatic warhorse

Review: Russell Braun demonstrates “astonishing expressive power” in The Bassarids at Salzburg Festival

Airam Hernández, Joyce El-Khoury and Oleksandr Pushniak at Staatskapelle Weimar on August 19. Photo: Candy Welz

Review: Joyce El-Khoury brings a ‘meaty dramatic approach’ to long-lost Liszt...

Editor - August 22, 2018

Ariadne auf Naxos

Review: Santa Fe Opera returns to its Straussian roots with a...

Editor - August 7, 2018

Magic Flute

Review: Robert Lepage’s techno-heavy The Magic Flute at Festival d’Opéra...

Editor - August 3, 2018

Karina Gauvin (Merab) in Glyndebourne Festival's Saul. Photo: Bill Cooper

Review: Karina Gauvin’s “consistently beautiful singing” is the highlight of Glyndebourne’s...

Editor - July 26, 2018

Max van Wyck (Papageno) in Brott Music Festival's The Magic Flute. Photo: Bob Hatcher

Review: BrottOpera’s production brings “artistic strength” to Mozart’s The Magic Flute...

Editor - July 23, 2018

Michael Colvin (Bardolph), Bryn Terfel (Sir John Falstaff) and Craig Colclough (Pistol) in Royal Opera House’s Falstaff. Photo: Catherine-Ashmore

Review: Royal Opera House’s midsummer Falstaff is “truly a dream”

Editor - July 20, 2018

Review: Wallis Giunta brings “real passion” and “undeniably glamorous charisma” to...

Editor - July 12, 2018

A scene from The Llandovery Castle. Photo: Will Ford

Review: The Llandovery Castle brings “real emotional power” to premier performance...

Editor - June 27, 2018

Il Barbiere di Siviglia

Review: Opera 5’s “simple and successful adaptation” brings new life to...

Editor - June 14, 2018

Carmen

Review: Catherine Daniel brings “smoky allure” to The Little Opera Company’s...

Editor - June 12, 2018

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