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Opera Canada
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New Subscribers
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Review: ICOT’s The Journey: Notes of Hope is a moving story about migration, re-discovery and self-acceptance
Editor
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November 14, 2018
Review: L’Opéra de Montréal’s Das Rheingold offers a Steampunk Gothic aesthetic and a “formidable” Alberich in Nathan Berg
Review: At Metropolitan Opera, Sondra Radvanovksy is the “most complete…Tosca of the past two or three decades”
Review: Wexford 2018 “yielded many an unexpected pleasure” while some elements “felt out of place”
Review: English National Opera’s Lucia di Lammermoor is “powerful, memorable and effective”
Review: Canadian Opera Company’s Hadrian: commanding vocals and powerful symbolism
Editor
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October 31, 2018
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Review: Canadian Opera Company’s Eugene Onegin: “dynamic as it is sparse”
Editor
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October 24, 2018
0
Review: Pacific Opera Victoria’s Fidelio: superb cast—heavy-handed production
Editor
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October 17, 2018
0
Review: Canadian Opera Company’s Hadrian offers “operatic alchemy” despite “unimaginative production”
Editor
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October 15, 2018
1
Review: Canadian Opera Company opens its season with an “intelligently and...
Editor
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October 2, 2018
1
Review: Opéra de Montréal’s “ultra-conventional” approach to Rigoletto feels out of...
Editor
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September 26, 2018
1
Review: “Thought-provoking and very funny” new play-opera I Call myself Princess...
Editor
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September 18, 2018
0
Review: English National Opera’s high-energy production of Paul Bunyan an...
Editor
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September 10, 2018
0
Review: Manitoba Underground Opera wraps up another season of re-imagined classics
Editor
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September 4, 2018
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Review: Highlands Opera Studio 1940s La Bohème much more than an...
Editor
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August 29, 2018
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