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Review: Frédéric Antoun is “noble and sincere” in Opéra Comique’s Manon

Editor - May 24, 2019

Shanawdithit

Review: Shanawdithit is an “effective and accomplished piece of music theatre”

Viewpoint: COC’s La Bohème can convert any non-believer

Scene from La Cenerentola

Review: Vancouver Opera’s La Cenerentola is “three hours of irresistible, effervescent fun”

COC's Otello

Review: COC’s Otello features “one of the best Iagos of the current generation”

Idomeneo

Commentary: Opera Atelier’s Idomeneo: Mozart’s neo-classical grand opera

Editor - April 10, 2019

Kopernikus

Review: Against the Grain Theatre & Vivier’s Kopernikus: technology takes on...

Editor - April 9, 2019

Roberto Devereux

Review: Joyce El-Khoury in Welsh National Opera’s Roberto Devereux

Editor - March 14, 2019

SOLO

Review: Christopher Dunham embodies Don Giovanni for SOLO

Editor - March 6, 2019

Adam Fisher and Michaela Chiste

Review: Edmonton’s Mercury Opera La Bohème offers “emotional penetration”

Editor - March 4, 2019

Omicidio

Review: Robert Gleadow in “thrilling voice” in Paris Opera’s Il primo...

Editor - February 22, 2019

A scene from Vancouver Opera's La Bohème

Review: Vancouver Opera creates a “visually and vocally memorable” La Bohème

Editor - February 21, 2019

A scene from in Pacific Opera Victoria's La traviata

Review: Pacific Opera Victoria’s roaring 20s La traviata

Editor - February 20, 2019

Così fan tutte

Review: Canadian Opera Company tackles ‘paradoxical’ Cosí fan tutte

Editor - February 12, 2019

Walküre

Review: Die Walküre times two at TSO and LPO

Editor - February 7, 2019

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