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Opera Canada
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Review: Die Fledermaus a 2018 antidote from Toronto Operetta Theatre
Editor
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December 29, 2018
Review: Festival d’Automne à Paris’ Kopernikus: a “brilliant performance” of Claude Vivier’s “other-worldly, ethereal work”
Review: San Francisco Opera’s It’s a Wonderful Life “Everyone loved it. There were tears.”
Review: Bavarian State Opera’s Otello: Gerald Finley’s Iago shines in misguided staging
Review: Manitoba Opera’s Don Giovanni captivated “21st century savvy listeners”
Review: UofT Opera’s Street Scene “gripping” despite unfocused story
Editor
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November 28, 2018
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Review: Calgary Opera’s “excellent” Roméo et Juliette plus announcement of new...
Editor
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November 21, 2018
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Review: Against the Grain Theatre’s Bound v. 2: “no less powerful...
Editor
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November 20, 2018
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Review: ICOT’s The Journey: Notes of Hope is a moving story...
Editor
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November 14, 2018
0
Review: L’Opéra de Montréal’s Das Rheingold offers a Steampunk Gothic aesthetic...
Editor
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November 13, 2018
1
Review: At Metropolitan Opera, Sondra Radvanovksy is the “most complete…Tosca of...
Editor
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November 8, 2018
0
Review: Wexford 2018 “yielded many an unexpected pleasure” while some elements...
Editor
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November 6, 2018
0
Review: English National Opera’s Lucia di Lammermoor is “powerful, memorable and...
Editor
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November 1, 2018
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Review: Canadian Opera Company’s Hadrian: commanding vocals and powerful symbolism
Editor
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October 31, 2018
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Review: Canadian Opera Company’s Eugene Onegin: “dynamic as it is sparse”
Editor
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October 24, 2018
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