Among the accomplishments of the Gockley era was music director Nicola Luisotti’s refinement of the San Francisco Opera Orchestra. And perhaps in no other opera can the glories of this superb orchestra shine forth more brilliantly than in Elektra, the Strauss score demanding myriads of colors and masses of volumes to tell its very ugly story.
It is very beautiful music, but unlike bel canto that can tell ugly stories too, Strauss modernism finds its beauty in sonically colorful hues that intensify the human spirit in its most dreadful conflicts (bel canto revels in the voices it uses to overpower conflict). All this Strauss orchestral magnificence was indeed present for this Elektra!
Source: Opera Today