
Fall Issue on Newsstands

Canadians Next on Stage
Sep 18 2026 - Oct 17 2026La Traviata Verdi
Canadian Opera Company
Four Seasons Centre for the Performing Arts Oct 03 - 18 2026Così fan tutte Mozart
Canadian Opera Company
Four Seasons Centre for the Performing Arts Oct 16 2026 Il trovatore Verdi
Pacific Opera Victoria
Royal Theatre (Victoria) Oct 16 2026Tosca Puccini
Calgary Opera
Northern Alberta Jubilee Auditorium Oct 16 - 18 2026La Grande Duchesse de Gerolstein Offenbach
Toronto Operetta Theatre
Jane Mallett Theatre Oct 16 2026Reimu 冷夢 Kento Stratford
Hibiki Project
Array Space Studio Oct 17 - 18 2026 Cendrillon Isouard
Arion Baroque
Salle Bourgie Oct 18 - 19 2026Carmen on Tap Bizet
Saskatoon Symphony Orchestra
Bacchus Lounge – Earls Oct 18 2026 Il trovatore Verdi
Pacific Opera Victoria
Royal Theatre (Victoria) Oct 18 2026Tosca Puccini
Calgary Opera
Northern Alberta Jubilee Auditorium
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La Traviata Verdi
Canadian Opera Company
Così fan tutte Mozart
Canadian Opera Company
Il trovatore Verdi
Pacific Opera Victoria
Tosca Puccini
Calgary Opera
La Grande Duchesse de Gerolstein Offenbach
Toronto Operetta Theatre
Reimu 冷夢 Kento Stratford
Hibiki Project
Cendrillon Isouard
Arion Baroque
Carmen on Tap Bizet
Saskatoon Symphony Orchestra
Il trovatore Verdi
Pacific Opera Victoria
Tosca Puccini
Calgary Opera
- May 29 - 30 2027
Albertine en cinq temps – L’opéra Catherine Major
Pacific Opera Victoria
From Pacific Opera Victoria‘s website:
A landmark of Québec theatre, Albertine en cinq temps – L’opéra follows one woman at five stages of her life, as memory, identity, and emotion collide. This new operatic adaptation brings Michel Tremblay’s powerful work to the stage in an intimate and striking form. This production brings a defining work of Canadian theatre to the operatic stage.
Albertine en cinq temps – L’opéra is one of Québec’s most celebrated plays, written by Michel Tremblayin 1984. A landmark of Québécois theatre, the work centres on an ordinary working-class woman whose life unfolds across decades marked by social constraint, personal struggle, and emotional intensity.
The play is written in joual (a distinctly Québecois dialect of French) and is deeply rooted in the cultural and social shifts surrounding the Quiet Revolution, a period that reshaped Québec’s identity, religion, and family life. Tremblay’s work gives voice to women whose experiences were often overlooked, capturing both the intimacy of domestic life and the weight of broader societal change.
This new operatic adaptation, created by a collective of artists led by Nathalie Deschamps with music by Catherine Major, transforms Tremblay’s powerful text into a musical work for six singers and five musicians. It is the first opera written in joual, preserving the immediacy and emotional texture of the original while opening it to new expressive possibilities.
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