
Fall Issue on Newsstands

Canadians Next on Stage
Sep 18 2026 - Oct 17 2026La Traviata Verdi
Canadian Opera Company
Four Seasons Centre for the Performing Arts Oct 03 - 18 2026Così fan tutte Mozart
Canadian Opera Company
Four Seasons Centre for the Performing Arts Oct 16 2026 Il trovatore Verdi
Pacific Opera Victoria
Royal Theatre (Victoria) Oct 16 2026Tosca Puccini
Calgary Opera
Northern Alberta Jubilee Auditorium Oct 16 - 18 2026La Grande Duchesse de Gerolstein Offenbach
Toronto Operetta Theatre
Jane Mallett Theatre Oct 16 2026Reimu 冷夢 Kento Stratford
Hibiki Project
Array Space Studio Oct 17 - 18 2026 Cendrillon Isouard
Arion Baroque
Salle Bourgie Oct 18 - 19 2026Carmen on Tap Bizet
Saskatoon Symphony Orchestra
Bacchus Lounge – Earls Oct 18 2026 Il trovatore Verdi
Pacific Opera Victoria
Royal Theatre (Victoria) Oct 18 2026Tosca Puccini
Calgary Opera
Northern Alberta Jubilee Auditorium
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La Traviata Verdi
Canadian Opera Company
Così fan tutte Mozart
Canadian Opera Company
Il trovatore Verdi
Pacific Opera Victoria
Tosca Puccini
Calgary Opera
La Grande Duchesse de Gerolstein Offenbach
Toronto Operetta Theatre
Reimu 冷夢 Kento Stratford
Hibiki Project
Cendrillon Isouard
Arion Baroque
Carmen on Tap Bizet
Saskatoon Symphony Orchestra
Il trovatore Verdi
Pacific Opera Victoria
Tosca Puccini
Calgary Opera
- Feb 13 2027
The Barber of Seville Rossini
Vancouver Opera
From Vancouver Opera‘s website:
If you’ve heard of Figaro, chances are you’ve heard of him a number of times in a row (Figaro…Figaro…Figaro…Fiiiiiiiiiiiigaro!!!). Figaro is something of a fixer, and not just of hair. In this adventure, the industrious barber works to unite two young lovers, Count Almaviva and Rosina, but to do so, he must also thwart Dr. Bartolo’s plan to make Rosina his bride, thereby pocketing her considerable dowry. Arguably the most buffa opera of all opera buffas, The Barber of Seville is a joyful, high energy romp that delights the eyes and ears while offering a much-needed counterbalance to the deep, dark doldrums of a Vancouver midwinter. In a colourful reimagining by the dynamic Canadian creative duo of director Morris Panych and designer Ken MacDonald, Barber’s fast-paced plot is kept aloft by the unrivalled comedic chemistry between Cesare Sterbini’s libretto and Rossini’s energetic, endlessly inventive melodies, steered here by Maestro Leslie Dala. Admittedly, opera can lean a bit towards the tragic, so it may surprise some that in a story full of trickery, scheming, and lovers separated by a despicable villain…everything ends well! Save that pit in your stomach for another day and enjoy a sparkling, laugh-out-loud comedy ride packed with irresistible melodies, scissor-sharp scheming, and Rossini’s most famous tunes.
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