
Fall Issue on Newsstands

Canadians Next on Stage
Sep 18 2026 - Oct 17 2026La Traviata Verdi
Canadian Opera Company
Four Seasons Centre for the Performing Arts Oct 03 - 18 2026Così fan tutte Mozart
Canadian Opera Company
Four Seasons Centre for the Performing Arts Oct 09 - 10 2026Turandot Puccini
Daegu Opera
Daegu Opera House Oct 11 2026Vanda Treiser Opera Competition Various
Highlands Opera Studio
Trinity-St. Paul's Centre Oct 16 2026 Il trovatore Verdi
Pacific Opera Victoria
Royal Theatre (Victoria) Oct 16 2026Tosca Puccini
Calgary Opera
Northern Alberta Jubilee Auditorium Oct 16 - 18 2026La Grande Duchesse de Gerolstein Offenbach
Toronto Operetta Theatre
Jane Mallett Theatre Oct 16 2026Reimu 冷夢 Kento Stratford
Hibiki Project
Array Space Studio Oct 17 - 18 2026 Cendrillon Isouard
Arion Baroque
Salle Bourgie Oct 18 - 19 2026Carmen on Tap Bizet
Saskatoon Symphony Orchestra
Bacchus Lounge – Earls
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La Traviata Verdi
Canadian Opera Company
Così fan tutte Mozart
Canadian Opera Company
Turandot Puccini
Daegu Opera
Vanda Treiser Opera Competition Various
Highlands Opera Studio
Il trovatore Verdi
Pacific Opera Victoria
Tosca Puccini
Calgary Opera
La Grande Duchesse de Gerolstein Offenbach
Toronto Operetta Theatre
Reimu 冷夢 Kento Stratford
Hibiki Project
Cendrillon Isouard
Arion Baroque
Carmen on Tap Bizet
Saskatoon Symphony Orchestra
- Jul 23 2026
- Expired!
Dido and Aeneas Purcell
Ottawa Chamberfest and Opera Atelier
From Ottawa Chamberfest‘s website:
Toronto’s Opera Atelier presents Henry Purcell’s beloved opera Dido and Aeneas, launching Chamberfest 2026 with all the splendour and flair of the Baroque. An exciting cast of Canadian singers, including Ottawa-born sopranos Meghan Lindsay and Mireille Asselin and superstar mezzo-soprano Measha Brueggergosman-Lee, are joined by a full complement of baroque dancers, Ottawa’s Caelis Academy Ensemble Choir, and a superb early music ensemble in this semi-staged production choreographed by Jeannette Lajeunesse Zingg and directed by Marshall Pynkoski.
Written in the mid-1680s with text adapted from Virgil’s Aeneid, Purcell’s Dido tells the story of Dido, Queen of Carthage, and her deep love for Aeneas, the Prince of Troy. You’ll have to see it to find out how things turn out, but the opera ends with one of the Baroque era’s most iconic operatic arias, “Dido’s Lament,” which suggests that possibly not all ends well with our lovers in the paradise of antiquity…










