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Don Giovanni goes buffa at Opera Atelier
Productions of Don Giovanni and its troublesome topic of seduction seem to elicit a variety of mixed feelings from both directors and their audiences....
Midori Marsh awarded first prize at COC’s Ensemble Studio Competition
At long last, the Canadian Opera Company's Ensemble Studio Competition has drawn to a close, and with it Canada's top young opera singer has...
The Heart’s Obsession sheds light on an obscure corner of Canadian...
The Heart’s Obsession: An Intimate Biography of Newfoundland Songstress Georgina Stirling. By Tonia Evans Cianciulli with Calvin D. Evans; 342 pp. ISBN: sc 978-1-77117-759-7,...
Benjamin Butterfield, The Rubies 2019—Success in Authenticity
In a profession known for its impermanence, a near 30-year career in opera is a cause for celebration. Since his professional debut in 1991...
AtG’s La bohème — Homecoming for Toronto’s bohemians
Against the Grain Theatre’s La bohème feels like a cult movie that everyone’s heard of but no one has actually really seen. Like Game...
UofT Early Music Program: Blowing the dust off history
Tucked away in the halls of the University of Toronto, past a dizzying variety of architectural pinpoints that make up its network of colleges,...
Rusalka at the COC — Darkness in Still Waters
Canadian Opera Company premiered a sensuous and sumptuous, new-to-Toronto production of Rusalka on Oct. 12th. Sir David McVicar’s wildly entertaining staging of Dvořák’s story...
Liz Upchurch, The Rubies 2019—Giving Voice to the New
English pianist, coach, and mentor Liz Upchurch has much to celebrate this season. 2019 marks her 20th year as Head of the Canadian Opera...
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