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For over 60 years, Opera Canada has brought you the best of Canadian and international opera. Go behind the scenes with artists and companies, enjoy performance reviews, and stay inspired by the stories shaping the opera world.

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Every captivating issue takes you onstage and behind the scenes with vibrant stories about artists and opera companies, thoughtful performance reviews, and expert commentary. Experience the world of opera—available in both print and digital editions.

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Latest Features

Artist of the Week 18 Qs for Aemilia Moser

Artist of the Week 18 Qs for Aemilia Moser

The Artist of the Week is Canadian soprano Aemilia Moser. She will be singing the role of Minerva in Toronto City Opera’s production of Orpheus in the Underworld on June 27th and 28th. This week, Aemilia chats with us about the musicians who inspire her, the best parts of being an opera singer and what she would cater for a dinner party. Read on to find out more.

OPERA PLACES Joshua Hopkins takes us to San Francisco, California

OPERA PLACES Joshua Hopkins takes us to San Francisco, California

Canadian baritone Joshua Hopkins takes us to San Francisco, California, where he is singing the role of Figaro in Rossini’s The Barber of Seville at San Francisco Opera until June 20th. While in San Francisco, Joshua shares his favourite bars and restaurants, the most peaceful park and where to find the best chocolate almond croissant. Read on to find out more.

Artist of the Week 17 Qs for Sandra Horst

Artist of the Week 17 Qs for Sandra Horst

The Artist of the Week is Canadian conductor Sandra Horst. She will be conducting the Canadian premiere of Rene Orth and Hannah Moscovitch’s 10 Days in a Madhouse, co-presented by Tapestry Opera, the Canadian Opera Company and Luminato Festival, from June 16th to 21st. This week, Sandra chats with us about how she fell in love with opera, her first singing lessons and her dream jobs on and off stage. Read on to find out more.

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Opera Calendar

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