Bellini’s 1831 opera “Norma,” which opened the Metropolitan Opera’s season on Monday, is rich in themes that resonate in today’s political and social climate.
Brutal, boorish clashes of culture and religion drive the story. The title character, a high priestess of a druid clan living in Gaul under oppressive Roman occupation, is the unquestioned leader of her community. Even the warriors among her are in awe of Norma’s authority.
