
Winter Issue on Newsstands

Canadians Next on Stage
Apr 15 - 19 2026Pelléas et Mélisande Debussy
Opera Atelier
Koerner Hall at the TELUS Centre for Performance and Learning Apr 17 - 19 2026A Night in Venice Strauss
Toronto Operetta Theatre
Jane Mallett Theatre Apr 17 - 19 2026The Fox Roan Shankaruk
Opera Unbound
Annex Apr 18 - 19 2026The Barber of Seville Rossini
Calgary Opera
Southern Alberta Jubilee Auditorium Apr 18 2026The Marriage of FigaroMozart
Manitoba Opera
Centennial Concert Hall Apr 19 2026She Holds Up the Stars Eliot Britton
Red Sky Performance & Toronto Symphony Orchestra
Roy Thomson Hall Apr 20 2026A Conversation with Jon Fredric West Wagner
Toronto Wagner Society
Apr 22 2026Orpheus & Eurydice Gluck
Pacific Opera Victoria
Royal Theatre Apr 22 2026The Marriage of FigaroMozart
Manitoba Opera
Centennial Concert Hall Apr 22 - 23 2026Cavalleria Rusticana Mascagni
Alberta Vocal Arts
No event found!
Pelléas et Mélisande Debussy
Opera Atelier
A Night in Venice Strauss
Toronto Operetta Theatre
The Fox Roan Shankaruk
Opera Unbound
The Barber of Seville Rossini
Calgary Opera
The Marriage of FigaroMozart
Manitoba Opera
She Holds Up the Stars Eliot Britton
Red Sky Performance & Toronto Symphony Orchestra
A Conversation with Jon Fredric West Wagner
Toronto Wagner Society
Orpheus & Eurydice Gluck
Pacific Opera Victoria
The Marriage of FigaroMozart
Manitoba Opera
Cavalleria Rusticana Mascagni
Alberta Vocal Arts
Date
- Aug 03 2024
- Expired!
ArmideLully
Drottingholm Slottstheater
Text is from the Drottingholm Slottstheater website.
Armide is the pinnacle of French Baroque tragédie en musique, and the culmination of Jean-Baptiste Lully’s career. Since its premiere in 1686, Armide has been regarded as the quintessential model of musical and poetic creation.
Francesco Corti, conductor
Armide is Lully’s last collaboration with the poet Philippe Quinault, whose libretto is a mixture of dramatic tension, supernatural elements and amorous despair. The work was an immediate success and was widely performed in the late 17th century. The opera contains many dance scenes in which the supernatural beings reflect the mental state of the main characters, who struggle with joy and horror, reality and fantasy.
Armide is like Ingmar Bergman’s Scenes from a Marriage, where the characters go through all the states of passion.
Florent Siaud, director
In French with Swedish and English surtitles








