Apr 15 - 19 2026Pelléas et Mélisande Debussy
Opera Atelier
Koerner Hall at the TELUS Centre for Performance and Learning Apr 17 - 19 2026A Night in Venice Strauss
Toronto Operetta Theatre
Jane Mallett Theatre Apr 17 - 19 2026The Fox Roan Shankaruk
Opera Unbound
Annex Apr 18 - 19 2026The Barber of Seville Rossini
Calgary Opera
Southern Alberta Jubilee Auditorium Apr 18 2026The Marriage of FigaroMozart
Manitoba Opera
Centennial Concert Hall Apr 19 2026She Holds Up the Stars Eliot Britton
Red Sky Performance & Toronto Symphony Orchestra
Roy Thomson Hall Apr 22 2026Orpheus & Eurydice Gluck
Pacific Opera Victoria
Royal Theatre Apr 22 2026The Marriage of FigaroMozart
Manitoba Opera
Centennial Concert Hall Apr 22 - 23 2026Cavalleria Rusticana Mascagni
Alberta Vocal Arts
Apr 24 2026The Barber of Seville Rossini
Calgary Opera
Southern Alberta Jubilee Auditorium
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Pelléas et Mélisande Debussy
Opera Atelier
A Night in Venice Strauss
Toronto Operetta Theatre
The Fox Roan Shankaruk
Opera Unbound
The Barber of Seville Rossini
Calgary Opera
The Marriage of FigaroMozart
Manitoba Opera
She Holds Up the Stars Eliot Britton
Red Sky Performance & Toronto Symphony Orchestra
Orpheus & Eurydice Gluck
Pacific Opera Victoria
The Marriage of FigaroMozart
Manitoba Opera
Cavalleria Rusticana Mascagni
Alberta Vocal Arts
The Barber of Seville Rossini
Calgary Opera
L’opera seria Gassmann
Teatro alla Scala
From Teatro alla Scala‘s website:
Featuring Canadian Josh Lovell.
La Scala has recently undertaken the systematic rediscovery of the Italian roots of melodrama. After looking to Venice (La Calisto by Cavalli and L’Orontea by Cesti) and Naples (Vinci’s Li zite ’ngalera), in 2025 the theatre presents an encounter of one of Italy’s premier poets, Ranieri de’ Calzabigi, and a Bohemian who made Vienna his second home, Florian Leopold Gassmann, court composer for Joseph II and Antonio Salieri’s teacher. The latter’s Opera seria, presented in Vienna in 1769 and here conducted by Christophe Rousset in a new production by Laurent Pelly with a stellar cast of young talents, is an irresistible satire of the theatre world that aptly conveys the koinè of the Gluckian reform, in which librettist Calzabigi figured prominently.