Canadian mezzo-soprano Martina Myskohlid takes us to Turin, Italy, where she is singing the role of Tisbe in La Cenerentola at Teatro Regio Torino from January 20th to 27th (tickets and info).
Martina is known for her expressive voice and dramatic storytelling. She is currently an ensemble member at Teatro Regio di Torino where, this season, she will be singing in Francesca da Rimini, Hänsel und Gretel, La Cenerentola, Dialogues des Carmélites and Il Piccolo Principe. She is a graduate of both the Dutch National Opera’s Young Artist Studio and Atelier Lyrique de l’Opéra de Montréal.
While in Turin, Martina chats with us about the beauty of the opera house, her favourite restaurants and why you should live in Italy too. Read on to find out more.
City where you’re working?
Turin, Italy.
How long are you working on contract?
Until July 2026 (ensemble member).
What’s the opera house like?
I really love this theatre, operationally and physically. The lobby is lined in this gorgeous, regal red carpeting, mirrored walls and soft lighting (amazing for selfies and fit pics), and the theatre itself is a hardwood, dome-shaped space with 1,500 seats in that same red. Pure class. Also, there’s this incredible chandelier made up of 1,762 illuminated aluminum tubes (to be exact!) that create what they call a “stalactite” effect. Google it.
Where is the most peaceful place in the city?
In general, this is a quieter Italian city, so it’s pretty peaceful. Specifically, this one tree-stump next to the Po River where I enjoy walking with my pup, Lucy.
Best coffee or tea?
The best coffee is everywhere. I’m in Italy!!!!
Coolest bar or restaurant you’ve been to?
I could say Piano35 (literally on the 35th floor of a building) because I had a really special Michelin-star meal there in wonderful company, but I have to go with Cianci because it’s a traditional Piemontese restaurant that I adore and have been to multiple times… the antipasti (appetizers) are 5€, primi (pastas) are 7€ and secondi (rotating mains) are 8€. Oh, and desserts are 4€, wine is 6€ for half-litre carafe. Everything is local and fresh. Get the vitello tonnato, the plin and the ossobuco (if you’re lucky). You’re getting wine and a dessert, too. You’re in Italy.
An activity you have done that is unique to the area?
Biked through the Piemonte winery region with my family and Lucy.
Is there something unexpected that happens locally that you discovered?
Every single day except Sundays, over 1,000 vendors set up in the Porta Palazzo market to sell fresh fruits, vegetables, clothing, homeware, everything. It’s the largest open-air market in all of Europe, and the prices are unbeatable (like, 50¢ for a kilo of mandarins). Bonus: I watch it all from my bedroom window.
How did you find accommodation?
A few months before moving, I had visited Torino out of pure coincidence and stayed at an Airbnb. Once I found out I’d be moving here, I contacted the Airbnb owner and she helped me find a place. I signed a year lease without having seen the apartment in person because at the time, I was on contract somewhere else in the world. (It’s not an ideal way to rent an apartment, but a common occurrence among us opera singers.)
What’s the most important thing you think of when it comes to finding accommodation as a singer?
Proximity to the theatre and noise pollution. Time is money, sleep is non-negotiable.
Have you had a chance to explore some galleries or museums?
Yes, I adore castles and palaces, and so I love the Musei Reali. Its full of antiques and Great Rooms. Attached to it is a black marble church called the Sacra Sindone that houses the famous Shroud of Turin (though I’ve never seen it since it’s rarely on display and preserved in a very special shrine).
Is there anything else you’d recommend?
If you have a chance to live in Italy, even short-term, don’t hesitate. It sounds cheesy, but living here has shown me that performing high-level opera and living “la dolce vita” can, in fact, go hand-in-hand. Oh, and learn basic Italian before you arrive because rehearsals, emails, conversazioni, tutto è in italiano e non avrai altra scelta che imparare (you’ll have no choice but to learn)!!!
LEARN MORE ABOUT MARTINA MYSKOHLID
VISIT HER WEBSITE

© Photo used with permission from the artist
Martina and Lucy

© Mattia Gaido
As Hänsel in Händel und Gretel at Teatro Regio Turino

© Mattia Gaido
As Altichiara in Francesca da Rimini at Teatro Regio Turino
La Cenerentola
Teatro Regio Turino
January 20-27
CONDUCTOR: Antonino Fogliani
DIRECTOR: Manu Lalli
SET DESIGN: Roberta Lazzeri
COSTUME DESIGN: Gianna Poli
LIGHTING: Vladi Spigarolo
ASSISTANT TO DIRECTOR: Chiara Casalbuoni
CHORUS MASTER: Piero Monti
MASTER TO PIANOFORTE: Paolo Grosa
ORCHESTRA AND CHORUS TEATRO REGIO TORINO
CENERENTOLA: Vasilisa Berzhanskaya/Antoinette Dennefeld
DON RAMIRO: Nico Darmanin/Pablo Martínez
DANDINI: Roberto de Candia/Vincenzo Nizzardo
DON MAGNIFICO: Carlo Lepore/Giulio Mastrototaro
ALIDORO: Maharram Huseynov/Davide Giangregorio
CLORINDA: Albina Tonkikh/Claudia Urru
TISBE: Martina Myskohlid
With La Cenerentola, ossia La bontà in trionfo, which premiered in 1817, a year after the debut of Il barbiere di Siviglia, Rossini added new sentimental shades to his comic flair that had already brought him success throughout Europe. The fairy tale by Perrault, adapted by Jacopo Ferretti with some variations (most notably the stepmother becoming a stepfather and the glass slipper replaced by a bracelet), gave him the opportunity to tint his crescendos with melancholic nuances and to open up his frantic rhythms to touches of poetry. The result is an opera in which the main characters, Cinderella and Prince Don Ramiro, sing of their feelings with all the fragility of youth, while the antagonists, the stepfather Don Magnifico and the stepsisters, provide a flavorful and grotesque counterpoint, with humor rooted in Neapolitan tradition, yet mindful of the European origins of the Cinderella tale in the land of Basile.
For this ever-engaging opera, the direction is entrusted to Manu Lalli, already acclaimed at the Maggio Musicale Fiorentino in 2024, and the orchestra will be conducted by Antonino Fogliani, one of the most authoritative batons in the bel canto repertoire today. Cinderella will be sung by coloratura soprano Vasilisa Beržanskaya, known for her incredible vocal range. Joining her on stage will be Nico Darmanin, Roberto De Candia, and Carlo Lepore—all guarantees of a musically memorable production.
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