Artist of the Week 16 Qs for Odéi Bilodeau

by | Jun 23, 2025 | Artist of the Week, Featured, News

The Artist of the Week is Canadian soprano Odéi Bilodeau. She will be singing the role of Frasquita in Bizet‘s Carmen at Festival d’opéra de Québec (tickets and info here).

Odéi is known for her full and supple voice. Signature roles include Lauretta in Gianni Schicchi, Marguerite in Faust, Donna Elvira in Don Giovanni and Countess Almaviva in Le nozze di Figaro. In the fall, she will be returning to the role of Clorinda in Rossini’s La Cenerentola for the first production of Opéra de Québec‘s 2025/26 season.

This week, Odéi shares how her first desk job led to her singing career, memories of a fiery performance and the best advice she’s been givenRead on to find out more.

When was your first singing lesson (and with whom)?
At 14 years old, I worked at the front desk of a private music school whose facilities were located in my high school. I welcomed students on Friday evenings in exchange for one private lesson per week. I chose to take classical voice lessons with Marie Coulombe. I never stop taking voice lessons after that first one.

What/who inspired you to sing?
As a kid, probably around 10 years old, I went to see Nathalie Choquette perform her show in Montmagny. I think that was the moment I first felt a spark for classical singing. She really showed how accessible and fun this art form could be.

Heels or flats?
Flats, but heels when it’s time to perform.

Favourite place?
Anywhere along the St. Lawrence River between Saint-Jean-Port-Joli and Le Bic.

What’s the strangest/funniest thing that has happened to you on stage?
In my first year at the Conservatoire de musique de Montréal, we performed Les mamelles de Tirésias. I sang the role of “Le Fils” (which is usually given to a tenor). During one of the performances, while I was singing my aria and saying the words “un grand incendie a détruit les chutes du Niagara,” a light actually caught fire to my left. I kept singing, but some people in the audience left. Fortunately, it was quickly brought under control and the show went on!

What’s your favourite thing about singing with an orchestra?
It’s to feel completely surrounded by the music; it’s incredibly powerful. Also, the colours of the orchestration really help to support and deepen the emotions of what I’m singing.

Which role do you wish you could sing, but is not in your voice type?
I would love to sing Dalila (Samson et Dalila, Saint-Saëns), just for her famous aria “Mon coeur s’ouvre à ta voix.”

Coffee or tea?
Coffee.

What was the first opera you ever saw?
Hänsel und Gretel at the Opéra de Québec in 2001. I was a young teenager. My cousin was dancing in the production, so the whole family went to see him. I remember really enjoying the evening.

Are there more musicians in your family? If yes, who and what do they play/sing?
My mom always sang in choirs, but never professionally. My dad has played guitar, violin, mandolin and banjo for years. He’s performed in various Celtic music groups and he founded Bourrasque celtique with my brother, who played electric guitar. I joined the group as a singer around 2006, staying until it ended about 10 years ago. Learning new reels is my dad’s passion — even at 70, he still spends hours a day playing the mandolin.

Where did you go to school?
École de musique Vincent-d’Indy and the Conservatoire de musique de Montréal.

What was your childhood dream job?
Teacher. I always loved all my elementary school teachers.

Are you happiest in the country or in the city?
Definitely the country. I grew up in the woods, and I still feel the need to be close to nature as much as possible.

What book are you reading at the moment?
L’étoile du matin by Karl Ove Knausgård.

What is the best advice you have ever been given?
Gabrielle Lavigne, who was my teacher at the Conservatoire de musique de Montréal, once told me that if I had the opportunity to have children and wanted to, I should go for it. That I shouldn’t choose my career over having kids, or the opposite, that I could have both.

What is something most people don’t know about you?
I learned to step dance and picked up the basics of traditional Québécois and Irish styles.

LEARN MORE ABOUT ODÉI BILODEAU
VISIT HER WEBSITE
© Patrick Simard
As Donna Elvira in Opéra du Royaume’s Don Giovanni in 2025 
 

© Louise Leblanc
As Donna Elvira in Jeunesses musicales’s Don Giovanni in 2017

© Antoine Saito
As Contessa Almaviva in Jeunesses musicales’s Le nozze di Figaro in 2019
© André Chevrier
Jeunes ambassadeurs lyriques recital in 2018

Carmen
Festival d’opéra de Québec

CONDUCTOR: Jacques Lacombe
DIRECTOR: Nicola Berloffa
CARMEN: Stéphanie d’Oustrac
DON JOSE: Christophe Berry
MICAËLA: Carole-Anne Roussel 
ESCAMILLO: Christophe Gay 
FRASQUITA: Odéi Bilodeau 
MERCÉDÈS: Florence Bourget
LE DANCAÏRE: Geoffroy Salvas
LE REMENDADO: Emmanuel Hasler
ZUNIGA: Jean-Philippe Mc Clish
MORALÈS: Olivier Bergeron
LILLAS PASTIA: Robert Huard

 

In this year commemorating the 150th anniversary of the creation of Bizet’s ultimate work – still the most popular of the entire operatic repertoire – the Festival d’opéra de Québec invites you to plunge into the passionate universe of this comic opera, which transports you, from the very first notes, to the heat of Spain to follow the tragic destiny of a proud woman defying social norms and ready to do anything to be free.

Every means has been taken to make this production a not-to-be-missed event, including a remarkable cast featuring the great Stéphanie d’Oustrac in the title role and fabulous up-and-coming artists, directed with talent by Quebec conductor Jacques Lacombe. Music lovers will be all the more delighted to savor the rarely performed original version, with spoken text.

Carmen embodies the fire of seduction and independence. Don José, obsessed by the beautiful gypsy, gives up everything to follow his passion. Carmen soon tires of his love, preferring the toreador Escamillo. From the sunny square where the chorus of cigar girls bursts into life, to the golden glow of the bullring where the fatal outcome is played out, Carmen captivates and captivates, timelessly.


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Máiri Demings

Máiri Demings is Opera Canada’s digital content specialist. She’s also a mezzo-soprano who has sung with Tapestry Opera, performs regularly with VOICEBOX: Opera in Concert and Toronto Operetta Theatre, and is one half of duo mezzopiano with pianist Zain Solinski.

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