Welsh National Opera’s previous production of Puccini’s Madama Butterfly, by Joachim Herz, stayed in their repertoire for 40 years. The company’s brand-new production, unveiled this season, faces not only the challenge of comparison with a much-loved predecessor, but...
Brian David
Emily D’Angelo earns ovation in ROH Clemenza
Mozart's La clemenza di Tito is currently undergoing a process of reappraisal by reinterpretation, the most radical in a flurry of recent productions being Peter Sellars' for the 2017 Salzburg Festival. That turned librettist Metastasio's "traitors" into "terrorists"...
Review: Sondra Radvanovsky brings “incredible beauty” to Royal Opera House Andrea Chénier
Composer Umberto Giordano and librettist Luigi Illica stuffed their 1896 opera Andrea Chénier full of setting-specific details from the French Revolution. All the leading figures of that time are referenced, whether in a major role, a cameo, or in passing. Probably...
Review: Joyce El-Khoury in Welsh National Opera’s Roberto Devereux
Of course it is a gross simplification to say that Donizetti is all about the singing; but the focus is undeniably on beautiful, exciting and agile voices. And Welsh National Opera’s 2019 presentation of Roberto Devereux, which I saw in Birmingham on Mar. 8th,...




