REVIEW of REV. 23, a new comic opera that sees beyond the End of Days, conceived and written by Cerise Lim Jacobs, with a score by Julian Wachner; performed September 29, September 30, and October 1, 2017 at Boston’s John Hancock Hall; viewed here September 30 and...
PREVIEW: of the world premiere production of the Cerise Jacobs/Julian Wachner opera REV. 23, at Boston’s John Hancock Hall, on September 29 at 7:30 p.m.; September 30 at 7:30 p.m.; and October 1 at 3 p.m. Boston-based librettist and myth-maker Cerise Jacobs has an...
Opera Philadelphia’s “Festival O 17” (September 14 to 25) – including a free reprise of the company’s recent production of The Marriage of Figaro, to be shown in HD on Freedom Mall Jumbo Screens, September 23, 2017. Opera Philadelphia is going out on the town this...
It is such stuff as dreams are made on. This week, the Japan Society in New York City plays host to the North American premiere of eminent Japanese composer Moto Osada’s opera Four Nights of Dream. Ironically, given the title, the run is for only three nights –...
RETROSPECTIVE: of Opera Saratoga’s 2017 Summer Mainstage Season (July 1 through 16) – Verdi’s Falstaff; Grétry’s and Marmontel’s Zémire et Azor; Blitzstein’s The Cradle Will Rock. The end-days of summer are high horse-racing season in Saratoga, with turfites and...
REVIEW: Richard Strauss’ Ariadne auf Naxos in a new production at the Berkshire Opera Festival. It’s a backstage story as only Richard Strauss and his invaluable and (more or less) constant collaborator Hugo von Hofmannsthal could tell it. The Berkshire Opera...