Communications

Premiere Recording: Mayr’s Telemaco nell’isola di Calipso (1797)

Premiere Recording: Mayr’s Telemaco nell’isola di Calipso (1797)

No sooner had I drafted my review of Simon Mayr’s Medea in Corinto, recently posted      on OperaToday.com, than the world-premiere recording of Mayr’s Telemaco nell’Isola di Calipso reached me, an opera from 16 years earlier, when Mayr was 34 years old. Franz Hauk,...

Aida opens the season at ENO

Aida opens the season at ENO

Writing of McDermott’s Satyagraha in 2010, one of my colleagues wrote, ‘There are so many amazing imagesin this production that it’s hard to take them all in at once’. Here, it’s more a case of the are so many diverse visual images that it’s hard to make them come...

La Traviata in San Francisco

La Traviata in San Francisco

Romanian soprano Aurelia Florian sings Violetta in all ten performances (through October 17). She is young and pretty, her voice is strong and rich throughout all registers, and her high notes are splendid (she does not take the optional high E flat in the “Sempre...

Choral at Cadogan: The Tallis Scholars open a new season

Choral at Cadogan: The Tallis Scholars open a new season

This, and the striking opening of the first piece, Palestrina’s motet Laudate pueri, set me ruminating about nature of an ‘ensemble sound’, and although the following tangential digression might be a little indulgent, it is not irrelevant to my experience and review...

Stars of Lyric Opera 2017, Millennium Park, Chicago

Stars of Lyric Opera 2017, Millennium Park, Chicago

The Lyric Opera Orchestra and the Lyric Opera Chorus, under the direction of Sir Andrew Davis and Michael Black respectively, provided excellent accompaniment. Indeed, several of the selections showcased the talents of both groups as a significant part of this...

Review: A Verlaine Songbook

Review: A Verlaine Songbook

Today, singers and their pianists are often more willing also to explore repertory by composers who are much less well known. Also, a CD can carry much more music than the typical LP. Carolyn Sampson—an established light soprano—here offers an entire, well-stocked...

Die Zauberflöte at the ROH: radiant and eternal

Die Zauberflöte at the ROH: radiant and eternal

As we journey from the dungeon-esque darkness of the Queen’s nocturnal demesne towards the gleaming sun-disc which bathes the final chorus in the luminosity of enlightenment, a Dantesque night is truly turned into day. However, in 2013, I found the performance, while...

A Mysterious Lucia at Forest Lawn

A Mysterious Lucia at Forest Lawn

Conductor Isaac Selya and his orchestra of twenty-seven played the overture with its emotion-inducing harp music as the red sun slipped behind the mountains, leaving orange clouds and purple shadows to introduce the mysteries of night. Director and Designer Josh Shaw...

This is Rattle: Blazing Berlioz at the Barbican Hall

This is Rattle: Blazing Berlioz at the Barbican Hall

If Simon Rattle can achieve such excellence in the cramped confines of the Barbican Hall, imagine how Britain's cultural life would be transformed if a world class concert hall with state of the art facilities were built. The arts are central to the nation's economy...

Moved Takes on Philadelphia Headlines

Moved Takes on Philadelphia Headlines

That is marketing shorthand for Philadelphia Opera Festival 2017, and in longhand, this is a nonpareil, landmark event. Never was this more evident than at the world premiere of We Shall Not Be Moved, a musically compelling and deeply moving new piece of lyric theatre...

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