Canadian soprano Jennifer Maines is in Victoria, BC preparing to add a seventh role to her impressive list of Wagner roles, making her debut as Brünnhilde in Pacific Opera Victoria‘s production of Die Walküre opening this week. We caught up with her this week to reflect on her career in opera, what inspired her to begin singing, the best part of being an opera singer, whether she believes in fate, and more.
Finnish soprano Miina-Liisa Värelä is in Toronto making her debut as Leonore in Beethoven’s Fidelio at the Canadian Opera Company with COC Music Director Johannes Debus conducting. She takes us with her to explore the Toronto area this week, marvelling at the majestic beauty of Niagara Falls, the fine acoustics of the Four Seasons Centre, tasty coffee from The Rooster and more.
Egyptian soprano Amina Edris is in Toronto, preparing for the first of five role debuts in her 2023/24 season, singing Mimi in the Canadian Opera Company’s production of Puccini’s La Bohème, running Oct 6 to 28. This week, she shares seminal moments in her career journey with us and reflects on the importance of investing in yourself as an artist.
Canadian soprano Kirsten MacKinnon is in her hometown of Montreal making her company debut with Opéra de Montréal kicking off their 2023/24 season with Mozart’s The Marriage of Figaro, which runs until Oct 1. She takes us to beautiful, colourful Montreal this week to explore mural-filled city streets, cafes with snuggly rescue kittens, and so much more.
Canadian-German soprano Anna-Sophie Neher is in Toronto, preparing to return to the Canadian Opera Company’s stage as Marzelline in Beethoven’s Fidelio which opens this Friday, running Sept 29 to Oct 20. This week, we sat down with her to discuss her life and career, singers that keep her inspired, roles she’d like to be singing, and what it’s like to juggle family with a career in opera.
French-Canadian baritone Hugo Laporte is in Montreal, preparing to reprise the role of Conte d’Almaviva in Opéra de Montréal‘s production of Mozart’s The Marriage of Figaro, opening Sept 23. We caught up with him to reflect on early career beginnings, favourite composers, how he defines success and all things opera life. To Laporte, success is about “cultivating inner peace… and even better, sharing happiness with others!”
Canadian soprano Jacqueline Woodley is in rehearsals in Vancouver preparing to sing one of Handel’s most ambitious cantatas, Apollo e Dafne with Early Music Vancouver. We sat down with Woodley to chat all things opera – from early career inspirations to what it means to be brave in music, and how she defines success.
Canadian-Armenian bass-baritone Vartan Gabrielian is in San Jose, CA rehearsing for Opera San Jose‘s production of Gounod’s Romeo and Juliet and making his role and house debut as Friar Laurent. This week, he takes us to San Jose, CA and shares his favourite spots with us – from sunny coffeeshops to iconic flea markets, and everything in between.
Wayne Gooding provides an overview of the existing gender inequalities on the podium, and shines a spotlight on Tapestry Opera’s Women in Musical Leadership program – a three-year conducting program designed to nurture the next generation of women and non-binary conductors. This text was originally published in the Spring 2023 print version of Opera Canada magazine.
Editor-in-Chief Elizabeth Bowman sits down with Timothy Myers, Artistic Advisor at Austin Opera, to talk innovation in opera: how to craft a sustainable future for the arts, the big questions we should be asking, and placing power in the hands of the artists. This text was originally published in the Spring 2023 print version of Opera Canada magazine.
