Massenet's Werther (seen at Oper Frankfurt on Dec. 30, 2017), based on Goethe’s epistolary novel...
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Review: Against the Grain Theatre’s BOUND, Toronto, Dec. 15, 2017
BOUND is Against the Grain Theatre at its best, blending old and new in an immersive operatic...
Review: Premiere of Richardson-Schulte & Chattertons’ Shot, Hamilton Philharmonic Orchestra, Dec. 7, 2017
It was a tale of two D’Arcy McGees as the Hamilton Philharmonic Orchestra presented a double bill...
Calgary Opera announces Keith Cerny as new General Director and CEO
Calgary Opera has announced the appointment of a new General Director and CEO, effective January,...
Review: John Adams & Peter Sellars’ Girls of the Golden West, San Francisco Opera, Nov. 24, 2017
During recent decades, John Adams has composed a range of highly successful operas, including the...
Review: Handel’s Rodelinda, VOICEBOX: Opera in Concert, Nov. 26, 2017
Opera in concert or a minimalist staging? Despite the company’s title, Voicebox: Opera in...
Opéra de Montréal’s Atelier lyrique to welcome five new recruits!
The Opéra de Montréal held its very first Atelier lyrique National Auditions Gala in Salle...
Review: Don Giovanni for the #metoo generation at UofT Opera, Nov. 23, 2017
A changed world makes for a changed Don Giovanni. Produced by an all female team, UofT Opera’s...
Another take; Review: Missing, Pacific Opera Victoria, Nov. 19, 2017
As an opera, Missing is under-written. As an important piece of theatre that builds over its short...
Atelier lyrique Talent 2017 : Opéra de Montréal Selects Stars of Tomorrow
Every year the Atelier Lyrique holds auditions to find the operatic talents of the future. This...