Manitoba Underground Opera surfaced this spring with its ambitious new 2023 festival titled "Odyssey", setting sail with Laura Gow’s The Mansplaining Division as the first of three mainstage shows presented May 24-26. This year also marks a radical departure for the...
How often does an opera audience seem united by one big, heady communal high? That was the feeling at The Metropolitan Opera’s new Die Zauberflöte on May 22, a giddily joyous experience that sent me home in buoyant spirits. Simon McBurney’s tirelessly inventive,...
Pour sa première production, en 1985, L’Opéra de Québec avait choisi Madama Butterfly. Repris en 1999, 2005 et 2013, cet opéra de Puccini revient donc sur la scène du Grand Théâtre pour la 5e fois. La pandémie étant officiellement terminée, ses quatre représentations...
On paper, the Canadian Opera Company’s Pomegranate, the opera about lesbian love and loss was intriguing and appealing; it had its world premiere on June 2 at the COC Theatre on Front Street. A plot line that shifts between ancient Pompeii as Vesuvius erupts and a...
Juno award-winning Canadian-Armenian composer and pianist Serouj Kradjian is in Toronto, preparing to present the world premiere of his opera and the latest commission from the Canadian Children’s Opera Company, The Nightingale of a Thousand Songs, created with Dora award-winning librettist Marjorie Chan. We sat down with him to chat sources of inspiration, lessons learned and what it means to be brave in music.
Canadian baritone Samuel Chan gives us a tour of beautiful NordDeutschland, showing us his favourite spots in Kiel. Chan has been a member of the Oper Kiel ensemble since 2020, and is currently debuting the role of Lescaut in the company’s production of Puccini’s Manon Lescaut, runs to July 2.
Nikkei Canadian settler Teiya Kasahara 笠原 貞野 is in Toronto, preparing to sing the roles of Priestess and Jules in the Canadian Opera Company‘s production of Kye Marshall and Amanda Hale’s Pomegranate. We caught up with them to chat all things opera—sources of inspiration, early career beginnings, and more.
Join us, as Irish-Canadian mezzo-soprano Wallis Giunta brings us on a tour of beautiful, romantic Paris. She’s in Paris, preparing to reprise the role of Dodo in Opéra Comique’s production of Missy Mazzoli and Royce Vavrek’s Breaking the Waves. The show opens May 28, and runs to May 31.
American soprano Keri Alkema delighted Canadian audiences this month when she reprised the title role in the Canadian Opera Company‘s production of Puccini’s beloved Tosca. She sits down with us to reflect on her first singing lesson, her favourite opera house, opera roles she’d like to be singing in 10 years & more.
The Orpheus myth has played a prominent role in opera history, from Monteverdi’s Orfeo of 1607, the oldest opera still in the repertoire, right up to American composer Matthew Aucoin’s reworking of the myth in Eurydice, first staged in Los Angeles in 2020, then seen...
With more than three decades in the field, Robert Carsen is celebrated in Europe and America alike for his intelligently conceived and stunning productions, and— as his new Ariodante shows—he is also a master of the surprise ending. Is it purely serendipitous that the...
Canadian tenor Matthew Cairns has been in Toronto, Canada, singing the role of Macduff in the Canadian Opera Company’s new production of Verdi’s Macbeth from acclaimed Scottish director Sir David McVicar, which opened April 28 and has its final show on May 20. He shares his favourite spots in TO with us — from the stage of the Four Seasons Centre to a restaurant with breathtaking sunset views of the city.