This feature on Canadian Indie Opera appeared in the Spring 2020 issue of Opera Canada, Vol. 60 #3 Every business enterprise, large or small, faces similar challenges. Where is the market for what they’re selling? How do they generate cash flow to keep the company...
Featured
Tapestry Opera’s Songbook X goes virtual
These are troubling times and Tapestry Opera’s decision to go ahead with a live stream version of its Songbook X program on Mar. 21st was a welcome diversion. Traditionally, the Songbook concert is the culmination of a week in which a group of young singers work with...
POV’s Flight: retro take on deeply human tales
POV's Flight, English composer Jonathan Dove’s 1998 collaboration with librettist April De Angelis, soared high enough on Feb. 20th at Pacific Opera Victoria that it may even have converted die-hard contemporary opera haters into new music believers. It's a production...
Hansel & Gretel at the COC: Making magic of the mundane
Far too many recent adaptations of Brothers Grimm fairy tales adhere to the belief that the ideal presentation of a children’s story emphasizes adult themes and dark undertones—but Canadian Opera Company’s new production of Engelbert Humperdinck’s Hansel & Gretel...
Flight gets set to soar at Pacific Opera Victoria
When Pacific Opera Victoria (POV) Artistic Director Timothy Vernon picked up a score of Flight at an Opera America conference, it immediately piqued his interest. After all, Vernon had met composer Jonathan Dove at the Banff Centre a few years previously, where the...
COC 20/21 Season: Parsifal & star-studded revivals
Canadian Opera Company announced its 20-21 season on Monday evening, Feb. 10 at Toronto’s Four Seasons Centre for the Performing Arts at what has become an annual, celebratory event open to subscribers and donors. There is much to look forward to in COC 20/21,...
COC’s Hansel and Gretel takes up tenancy
The COC's Hansel & Gretel (seen Feb. 6th) gives Englebert Humperdinck’s classic 1893 opera a Toronto twist, with benchmark vocal performances and an uncompromisingly creative staging that only rarely misses the mark. It is difficult to imagine a fairy tale more...
Under 30? We’ve got a special offer for you…
Anyone who says opera is old-fashioned just isn’t paying attention. We love that there’s an amazing, vital, and engaged community of young opera fans here in Canada. You’re the ones championing our artists and the work they do. You're literally the future of opera!...
Edmonton Opera announces their 2020/21 season
Edmonton Opera announced their 2020/21 season today and here are the exciting details! EO kicks off their 2020/21 season when La Bohème comes to the Northern Alberta Jubilee Auditorium on Oct. 24, 27 & 30, 2020 in a revival of their 2010 production. The cast...
Hansel and Gretel: COC’s new Toronto-based staging
Canadian Opera Company is gearing up for their staging of Hansel and Gretel, a classic German opera that will be given a modern-day Toronto twist. The COC’s production, the fourth in their 2019-2020 season, is set in a present-day Toronto apartment complex brought to...
Barber of Seville at the COC: Take Two!
Romeo and Juliet should have had Figaro the Barber helping them to escape and run away together just as Rosina and Count Almaviva do in The Barber of Seville. Clever and funny, Canadian Opera Company’s The Barber of Seville (seen Jan. 19th) is a comedy portraying two...
Written on Skin at Opéra de Montréal: A Cold Fascination
With Written on Skin, composer George Benjamin and librettist Martin Crimp have fashioned a svelte opera, as effective as a scalpel. With brisk 90-minute pacing, a small cast, and persuasive and accessible music, you could call it shrewd—political psychodrama for the...












