Reviews

_{OrpheusPDX
Acis, Galatea and Polyphemus} “Well-paced presentation of the ill-fated love triangle”

by James Bash | Aug 16, 2024 | Featured, Reviews

OrpheusPDX | Acis, Galatea and Polyphemus | Opera Canada

_{Festival d’opéra de Québec
Festival Roundup} “A festival full of discoveries”

by Irène Brisson | Aug 14, 2024 | Featured, Reviews

Festival d’opéra de Québec| Festival Roundup | Opera Canada

_{Château de Versailles Spectacles
Don Giovanni DVD} “Traditional take that will please a broad range of viewers”

by John Gilks | Aug 12, 2024 | Featured, Reviews

Château de Versailles Spectacles | Don Giovanni DVD | Opera Canada

_{Opéra de Québec
La voix humaine} “Breathtaking authenticity going through all possible ranges of emotion”

by Irène Brisson | Aug 6, 2024 | Featured, Reviews

Opéra de Québec: La voix humaine Review

_{BrottOpera
The Barber of Seville} “Played with a youthful exuberance that would have delighted the composer”

by Dawn Martens | Jul 23, 2024 | Featured, Reviews

Brott Opera The Barber of Seville Review

_{Manitoba Opera
Carmen} “Ginger Costa-Jackson… smouldered like embers in a bonfire”

by Holly Harris | Jul 19, 2024 | Featured, Reviews

Manitoba Opera | Carmen| Opera Canada

_{Canadian Opera Company
Aportia Chryptych: A Black Opera for Portia White} “Celebrate her Legacy!: Foregrounding Black Canadian History”

by Jane Forner | Jul 18, 2024 | Featured, Reviews

Canadian Opera Company | Aportia Chryptych: A Black Opera for Portia White| Opera Canada Review

_{Manitoba Underground Opera
Rocking Horse Winner} “Watson and her entire cast are to be commended for bringing their sensitive artistry in bringing this harrowing opera to life”

by Holly Harris | Jul 17, 2024 | Featured, Reviews

Manitoba Underground Opera Rocking Horse Winner Review

_{San Francisco Opera
Innocence} “De Sévigné compensated with fine acting, while discharging the vocal line with precision and tonal beauty.”

by John Bender | Jul 2, 2024 | Featured, Reviews

San Francisco Opera: Innocence

_{Glyndebourne
Carmen} “Paulus’ Carmen is at once a powerful psychological drama and a testament to women’s universal struggle for freedom.”

by Hadani Ditmars | Jul 1, 2024 | Featured, Reviews

Glyndebourne: Carmen “Paulus’ Carmen is at once a powerful psychological drama and a testament to women’s universal struggle for freedom.”

_{OrpheusPDX
Acis, Galatea and Polyphemus} “Well-paced presentation of the ill-fated love triangle”

_{Festival d’opéra de Québec
Festival Roundup} “A festival full of discoveries”

_{Château de Versailles Spectacles
Don Giovanni DVD} “Traditional take that will please a broad range of viewers”

_{Opéra de Québec
La voix humaine} “Breathtaking authenticity going through all possible ranges of emotion”

_{BrottOpera
The Barber of Seville} “Played with a youthful exuberance that would have delighted the composer”

_{Manitoba Opera
Carmen} “Ginger Costa-Jackson… smouldered like embers in a bonfire”

_{Canadian Opera Company
Aportia Chryptych: A Black Opera for Portia White} “Celebrate her Legacy!: Foregrounding Black Canadian History”

_{Manitoba Underground Opera
Rocking Horse Winner} “Watson and her entire cast are to be commended for bringing their sensitive artistry in bringing this harrowing opera to life”

_{San Francisco Opera
Innocence} “De Sévigné compensated with fine acting, while discharging the vocal line with precision and tonal beauty.”

_{Glyndebourne
Carmen} “Paulus’ Carmen is at once a powerful psychological drama and a testament to women’s universal struggle for freedom.”

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