Reviews

_{Opéra de Québec
Lucie de Lammermoor} “Soulignons la solide prestation du chœur…et l’excellence de l’orchestre symphonique de Québec”

by Irène Brisson | Nov 3, 2023 | Featured, Reviews

Jean-François Lapointe, directeur général et artistique de l’Opéra de Québec est, on le sait, très...

_{Edmonton Opera
Carmen} “solid” and “perfectly clear rendition”

by Bill Rankin | Oct 27, 2023 | Featured, Reviews

Edmonton Opera opened its 60th anniversary season on October 19, a Thursday, rather than its...

_{Southern Ontario Lyric Opera (SOLO)
Madama Butterfly} “With productions like this, Madama Butterfly will continue to remain a fan favourite.”

by Dawn Martens | Oct 23, 2023 | Featured, Reviews

On October 15, Southern Ontario Lyric Opera (SOLO) opened their 2023/24 season with Madama...

_{Manitoba Underground Opera
The Corsair} “Strong, committed singers on a visually stunning, authentic set”

by Holly Harris | Oct 20, 2023 | Featured, Reviews

Manitoba Underground Opera closed its 2023 Odyssey festival with notably the Manitoba premiere of...

_{The Metropolitan Opera
Dead Man Walking} “Jake Heggie, I hope, was feeling justifiably proud”

by Patrick Dillon | Oct 12, 2023 | Featured, Reviews

Dead Man Walking, the opera, has enjoyed a remarkable life: it’s been around for twenty-three...

_{Canadian Opera Company
Fidelio} “Built to a thrilling conclusion that was exhilarating”

by Wayne Gooding | Oct 10, 2023 | Featured, Reviews

Beethoven famously regarded his only opera, Fidelio, as a problem child that cost him dearly, and...

_{Canadian Opera
La bohème} “The attractive power of La bohème is such that even after seeing it countless times, you can be sucked right back into its world after just a few bars”

by Wayne Gooding | Oct 10, 2023 | Featured, Reviews

The Canadian Opera Company mounted its John Caird staging of Puccini’s La bohème for the third...

_{San Francisco Opera
The (R)evolution of Steve Jobs} “Olivia Smith was outstanding”

by John Bender | Oct 7, 2023 | Featured, Reviews

The (R)evolution of Steve Jobs by Mason Bates, with libretto by Mark Campbell, starts with Jobs’s...

_{Park Avenue Armory
Doppelganger} featured “Michael Levine’s typically spare and striking design”

by Patrick Dillon | Oct 6, 2023 | Featured, Reviews

What is it about Schubert song cycles that attracts the Regie gang? In recent years Christof Loy,...

_{San Francisco Opera
Il trovatore} “Eun Sun Kim has brought fresh life to the San Francisco Opera”

by John Bender | Oct 4, 2023 | Featured, Reviews

Giuseppe Verdi’s Il trovatore is about a hallucinating witch and two men who do not know they are...

_{Opéra de Québec
Lucie de Lammermoor} “Soulignons la solide prestation du chœur…et l’excellence de l’orchestre symphonique de Québec”

_{Edmonton Opera
Carmen} “solid” and “perfectly clear rendition”

_{Southern Ontario Lyric Opera (SOLO)
Madama Butterfly} “With productions like this, Madama Butterfly will continue to remain a fan favourite.”

_{Manitoba Underground Opera
The Corsair} “Strong, committed singers on a visually stunning, authentic set”

_{The Metropolitan Opera
Dead Man Walking} “Jake Heggie, I hope, was feeling justifiably proud”

_{Canadian Opera Company
Fidelio} “Built to a thrilling conclusion that was exhilarating”

_{Canadian Opera
La bohème} “The attractive power of La bohème is such that even after seeing it countless times, you can be sucked right back into its world after just a few bars”

_{San Francisco Opera
The (R)evolution of Steve Jobs} “Olivia Smith was outstanding”

_{Park Avenue Armory
Doppelganger} featured “Michael Levine’s typically spare and striking design”

_{San Francisco Opera
Il trovatore} “Eun Sun Kim has brought fresh life to the San Francisco Opera”

FALL ISSUE ON NEWSSTANDS

Into the Woods Sondheim
The Royal Conservatory of Music

Countess Maritza Kalman
Toronto Operetta Theatre

Into the Woods Sondheim
The Royal Conservatory of Music

Buon Natale, A Christmas Concert Various
Abridged Opera

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