*this text was originally published in the summer 2022 print version of Opera Canada magazine Opera Canada depends on the generous contributions of its supporters to bring readers outstanding, in-depth coverage of opera in Canada and beyond. Please...
“In the fall of 1946, an unprecedented and unique form of instruction was introduced into the curriculum of the newly organized senior school of the Royal Conservatory of Music in Toronto.” Opera and the University of Toronto, Kenneth Pegler Developed by its first...
There’s no shortage of young classical artists at Canada’s conservatories and music schools, but how well prepared are they for the realities of a singing career. Lucia Cesaroni finds some support for a rethink of the status quo Canadian opera training may need a...
For my entire career, opera has been as reliable as Monday mornings. It just happens. Opera is big, with so many moving parts, with artists booked years in advance, so nothing could get in its way. The last two years has shown us otherwise. Postponements,...