Canadian bass-baritone Joel Allison takes us to Berlin, Germany, where he has been a member of the ensemble at the Deutsche Oper Berlin since 2020. He is currently performing in two productions, Mozart‘s Die Zauberflöte and Glanert‘s Die Drei Rätsel (tickets and info).
Joel is in his final year as an ensemble member of Deutsche Oper Berlin. Later this season he will appear in their productions of Tosca, Carmen, Hänsel und Gretel, Die Fledermaus, Der Schatzgräber, Madama Butterfly, A Midsummer Night’s Dream and La bohème. Other career highlights include performances with the Canadian Opera Company, Opéra National de Bordeaux, Tiroler Festspiele Erl and the Royal Opera House Muscat.
While in Berlin, Joel shares his favourite restaurant, the most peaceful place in the city and the museums that are kid- and parent-approved. Read on to find out more.
City where you’re working?
Berlin, Germany.
How long are you working on contract?
I have been in a Fest position here at the Deutsche Oper Berlin since September 2020. This is my last season at the Deutsche Oper Berlin.
What’s the opera house like?
Big and Old. The people who run the house are really wonderful colleagues who try to help us singers stay busy but also not be in rehearsals six days a week when it’s possible.
Where is the most peaceful place in the city?
Schloss Charlottenburg.
Best coffee or tea?
I live on coffee. I love the coffee I make, and then drink whatever else I need at the canteen at DOB.
Coolest bar or restaurant you’ve been to?
I haven’t gone out much in Berlin due to having kids and a busy schedule. My wife and I normally order food when we are too tired to cook. We once went to The Noodle Town in Berlin Mitte, which was very nice.
An activity you have done that is unique to the area?
Berlin has a lot of small lakes around the city which often have quite nice beaches. This past summer we went to a couple with our kids. The city also has very large parks and some of them have beer gardens with playgrounds nearby. So you can run the kids out in the afternoon and evening and also have a nice local beer on a patio looking over the Spree with nice greenery around.
Is there something unexpected that happens locally that you discovered?
The amount of random holidays in May and June in Germany was quite unexpected. For the people who work normal jobs and the schools, it is quite fun to have a Thursday off for Ascension Day and then also have school on the Friday so everyone takes a “Brükentag (bridge day)”. Sadly as artists, we work the holiday with a performance and then have to make up the missed rehearsal time on the Friday. The huge plus side of this is that I get six weeks of paid vacation in the summer, which allows for lots of time with the family. I will miss that paid vacation time when I come to the end of my contract.
How did you find accommodation?
I spent three months and saw 30 different apartments trying to find a suitable place to live with my family. Berlin, like most of the world, has a housing shortage.
What’s the most important thing you think of when it comes to finding accommodation as a singer?
A good kitchen and thick windows to block out weather and noise. The EU don’t have the extreme cold of Canada and many older buildings have thinner windows as a result. We live in a new building so everything is a proper thickness.
Have you had a chance to explore some galleries or museums?
All my museum stuff has been kid-oriented. There are lots of very kid-friendly museums in Berlin such as the MACHmit! Museum, German Museum of Technology and the Jewish Museum. Berlin has a museum for pretty much everything one can imagine.
Is there anything else you’d recommend?
If you come to Berlin, really plan what you want to see beforehand. There are three top level opera houses, the Berlin Philharmonic, and enough museums to keep you busy for a long time. Plus easy day trips to Leipzig, Dresden, Hamburg and Halle. So, for an artist the options are possibly overwhelming.
LEARN MORE ABOUT JOEL ALLISON
VISIT HIS WEBSITE
© Joel Allison
The opera house
© Joel Allison
Brandenburg Gate
© Joel Alison
Berlin U-Bahn Station
© Joel Allison
Schloss Charlottenburg
Die Zauberflöte
Deutsche Oper Berlin
September 27-June 14
CONDUCTOR: Dominic Limburg/Anna Handler/Friedrich Praetorius
DIRECTOR: Günter Krämer
STAGE AND COSTUME DESIGN: Andreas Reinhardt
CHORUS DIRECTOR: Thomas Richter
SARASTRO: Tobias Kehrer/Patrick Guetti
TAMINO: Kangyoon Shine Lee/Kieran Carrel/Andrei Danilov
SPEAKER: Padraic Rowan/Joel Allison/Michael Bachtadze
1ST PRIEST: Benjamin Dickerson
2ND PRIEST: Jörg Schörner/Burkhard Ulrich
QUEEN OF THE NIGHT: Hye-Young Moon
PAMINA: Lilit Davtyan/Nina Solodovnikova
1ST LADY: Flurina Stucki/Maria Motolygina
2ND LADY: Karis Tucker/Arianna Manganello/Martina Baroni
3RD LADY: Aleksandra Meteleva/Stephanie Wake-Edwards
PAPGENA: Hyejin Lee/Meechot Marrero
PAPGENO: Philipp Jekal/Artur Garbas/Padraic Rowan
MONOSTATOS: Burkhard Ulrich/Thomas Cilluffo
1ST ARMOURED MAN: Hong-Kyun Oh/Myungwon Kim/Thaisen Rusch
2ND ARMOURED MAN: Volodymyr Morozov
THREE BOYS: Solisten des Tölzer Knabenchores
Solist*innen des Kinderchores der Deutschen Oper Berlin
CHORUS: Chor der Deutschen Oper Berlin
ORCHESTRA: Orchester der Deutschen Oper Berlin
The Günter Krämer production focuses on the antithesis between two worlds, represented in THE MAGIC FLUTE by sun versus moon and dark versus light but also by the oppositions of nature versus culture and male versus female. These double-sided coins are visualised on stage as the contrast between black and white, neither of which – like Yin and Yang – can exist without the other. The fairy tale character of THE MAGIC FLUTE is conveyed with directorial exhilaration and a remarkable set design, which have helped to make the production an audience favourite over the last 30 years.
Die Drei Rätsel
Deutsche Oper Berlin
October 11-February 15
CONDUCTOR: Dominic Limburg
DIRECTOR: Brigitte Dethier
STAGE AND COSTUME DESIGN: Carolin Mittler
CHILDREN’S CHORUS DIRECTOR: Christian Lindhorst
LIGHTING: Ernst Schießl
VIDEO: Jake Witlen
DRAMATURGY: Sebastian Hanusa
LASSO: Emil Vandersee/Jonathan Betzold
PRINZESSIN SCHARADA: Milla Luisa Dell’ Anna/Ksenia Cheskis
POPA/WILDSCWEIN: Martina Baroni
KÖING ZEPHALUS/FLIEGE: Philipp Jekal
SCHREI/GALGENVOGEL: Chance Jonas-O’Toole
HERR SUBTIL/TARTARUS: Joel Allison
SCHLUCK/AVERNUS: Byung Gil Kim
SIGNORA SÜSSAUER/FRAU KNOCHEN:Maria Vasilevskaya/Alexandra Oomens
CHORUS: Kinderchor der Deutschen Oper Berlin
Junger Chor der Deutschen Oper Berlin
ORCHESTRA: Schüler*Innen des Arndt-Gymnasiums Dahlem
Musiker*innen des Orchesters der Deutschen Oper Berlin
Schüler*innen der Musikschule City West
Landesjugendorchester Berlin
Lasso didn’t choose to have the childhood he had, being brought up by Popa, a frazzled single mother who not only has her son to take care of but also a rowdy pub to manage. Which is why Lasso leaves home to seek his fortune. Along the way he hears about Princess Scharada and her three riddles. A man can ask her three questions: if she fails to answer them correctly, he gets to marry her and rule the realm; if she solves the riddles, he is put to death. But whatever happens, Lasso will not only have travelled the world and crossed paths with robbers, wild boars, astrologers, clairvoyants, scheming politicians and stern ladies-in-waiting – he’ll also have found a great friend and companion. In his THE THREE RIDDLES, an erratic blend of fairytale, social drama, road movie and full-scale opera, composer Detlev Glanert presents a witty, zany and slightly scary story of two very different children, who team up to hold their own in the big, wide world and find their own way.
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