When it comes to the live presentation of both orchestral as well as operatic works, the Berlin Philharmonic Digital Concert Hall seems to exist in a league of its own. The service, which can be accessed on a one-time basis or via subscription, allows access to the orchestra’s considerable archive of material (concerts, interviews, short films) … Continue reading Review: Ravel’s L’enfant et les sortilèges, Berlin Philharmonic’s Digital Concert Hall, Jan. 21, 2018