Review: Canadian Opera Company’s Nightingale “Parable on the supremacy of nature over artifice? Not so fast.”
Canadian Opera Company’s nine-year-old production of Stravinsky’s shorts, The Nightingale and...
Review: Canadian divas Jane Archibald & Adrianne Pieczonka conquer Carnegie Hall
It must have been a simple coincidence that the English Concert’s semi-staged Rinaldo happened on...
Review: Opéra de Montréal’s Svadba “provokes maximum aesthetic pleasure”
Svadba continues until March 31st at Montréal's Espace Go In my early 20s, a boyfriend introduced...
Review: Life Imitates Art in Scintillating Die Fledermaus, Glenn Gould School, Toronto
For winter-weary Toronto opera lovers in need of a feel-good show, the Royal Conservatory of...
Review: Mercury Opera’s La traviata takes over Chez Pierre Strip Club, Edmonton
Edmonton’s Mercury Opera has both a conventional and an audacious bent. The little company that...
Review: Emerging artists shine in Wilfrid Laurier University’s The Tender Land
Aaron Copland’s 1954 opera The Tender Land was given a strong and stylistically-astute...
