Review: Bavarian State Opera’s Otello: Gerald Finley’s Iago shines in misguided staging
Bavarian State Opera’s new production of Otello (seen Nov. 28th) would seem to have all the...
Review: Manitoba Opera’s Don Giovanni captivated “21st century savvy listeners”
It’s no mere tilting at windmills that Mozart’s Don Giovanni, rising from its own grave 231 years...
Review: UofT Opera’s Street Scene “gripping” despite unfocused story
Kurt Weill’s Street Scene, presented by UofT Opera and directed by Michael Patrick Albano takes...
Review: Calgary Opera’s “excellent” Roméo et Juliette plus announcement of new management
Calgary Opera opened its new season in daring fashion on Nov. 17th with a bold and expensive...
Review: Against the Grain Theatre’s Bound v. 2: “no less powerful or radical for its simplicity”
Against the Grain Theatre’s Bound v.2 (seen Nov. 19th) is opera for our times. Handel arias and...
Review: ICOT’s The Journey: Notes of Hope is a moving story about migration, re-discovery and self-acceptance
There have been many stories told in every art form of late about immigration, migration and...
