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Shot Hamlton Philharmonic Orchestra

Review: Premiere of Richardson-Schulte & Chattertons’ Shot, Hamilton Philharmonic Orchestra, Dec....

It was a tale of two D’Arcy McGees as the Hamilton Philharmonic Orchestra presented a double bill of Dermot Nolan’s play, It’s Morning Now...
Keith Cerny

Calgary Opera announces Keith Cerny as new General Director and CEO

Calgary Opera has announced the appointment of a new General Director and CEO, effective January, 2018. Dr. Keith Cerny will come to Calgary in January from...
Peter McGillivray

Preview: The Final Take with Peter McGillivray

The most recent issue of Opera Canada features Canadian baritone Peter McGillivray in The Final Take, where he shares the music that he loves best. McGillivray...
Pelleas et Melisande

Review: Barrie Kosky’s new Pelléas et Mélisande, Komische Oper Berlin, Dec....

Barrie Kosky, Intendant (General Director) of Komische Oper Berlin, has built his company’s considerable reputation on a series of highly regarded, outrageous, colourful productions...
Girls of the Golden West John Adams

Review: John Adams & Peter Sellars’ Girls of the Golden West,...

During recent decades, John Adams has composed a range of highly successful operas, including the repertory standard Nixon in China (1987). The more surprise...
Voicebox Rodelinda

Review: Handel’s Rodelinda, VOICEBOX: Opera in Concert, Nov. 26, 2017

Opera in concert or a minimalist staging? Despite the company’s title, Voicebox: Opera in Concert’s Nov. 26 production of Rodelinda was by no means a...
Opera Canada Vol 58 #2 Gerald Finley

Congratulations!

2017 Opera Canada Award Honourees

Soprano:  Karina Gauvin
Conductor: Yves Abel
Director/Teacher:  Michael Patrick Albano

Canadian Opera News

Shot Hamlton Philharmonic Orchestra

Review: Premiere of Richardson-Schulte & Chattertons’ Shot, Hamilton Philharmonic Orchestra, Dec. 7, 2017

It was a tale of two D’Arcy McGees as the Hamilton Philharmonic Orchestra presented a...
Keith Cerny

Calgary Opera announces Keith Cerny as new General Director and CEO

Calgary Opera has announced the appointment of a new General Director and CEO, effective January,...
Peter McGillivray

Preview: The Final Take with Peter McGillivray

The most recent issue of Opera Canada features Canadian baritone Peter McGillivray in The Final Take, where...
Pelleas et Melisande

Review: Barrie Kosky’s new Pelléas et Mélisande, Komische Oper Berlin, Dec. 2, 2017

Barrie Kosky, Intendant (General Director) of Komische Oper Berlin, has built his company’s considerable reputation...
Girls of the Golden West John Adams

Review: John Adams & Peter Sellars’ Girls of the Golden West, San Francisco Opera, Nov. 24, 2017

During recent decades, John Adams has composed a range of highly successful operas, including the...

News from the World of Opera

Abusive behaviour

Classical music must protect the vulnerable from harassment

The seriousness of the allegations swirling around James Levine, the erstwhile music director of the...
Pelleas et Melisande

Review: Barrie Kosky’s new Pelléas et Mélisande, Komische Oper Berlin, Dec. 2, 2017

Barrie Kosky, Intendant (General Director) of Komische Oper Berlin, has built his company’s considerable reputation...
James Levine

New York Met opera suspends James Levine over sexual allegations

New York’s Metropolitan Opera is suspending its relationship with longtime conductor James Levine pending an...
Girls of the Golden West John Adams

Review: John Adams & Peter Sellars’ Girls of the Golden West, San Francisco Opera, Nov. 24, 2017

During recent decades, John Adams has composed a range of highly successful operas, including the...
Semiramide Royal Opera House Covent Garden

Semiramide review – Rossini sounds sublime in Alden’s eccentric staging

Rossini’s great 1823 tragedy Semiramide, his last work composed for Italy before he based himself...

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Opera Canada
Opera Canada2 days ago
Review: Premiere Richardson-Schulte & Anna Chattertons' Shot, at Hamilton Philharmonic Orchestra "Schulte’s vivid and through-composed score successfully set into relief the shifting moods of characters and situations" http://operacanada.ca/review-richardson-schulte-chatterton-shot-hamilton-philharmonic/