Denise Wendel-Poray

Review: Robert Carsen “Bausch period” Iphigénie in Paris

Review: Robert Carsen “Bausch period” Iphigénie in Paris

by Denise Wendel-Poray | Jun 26, 2019 | Featured, Reviews

Between the Parisian museums, theatres and opera houses, when Robert Carsen is in town, it is very...

Review: Frédéric Antoun is “noble and sincere” in Opéra Comique’s Manon

Review: Frédéric Antoun is “noble and sincere” in Opéra Comique’s Manon

by Denise Wendel-Poray | May 24, 2019 | Featured, Reviews

When Opéra Comique announced it would be programming Jules Massenet’s Manon (seen May 13th) as...

Review: Robert Gleadow in “thrilling voice” in Paris Opera’s Il primo omicidio

Review: Robert Gleadow in “thrilling voice” in Paris Opera’s Il primo omicidio

by Denise Wendel-Poray | Feb 22, 2019 | Featured, Reviews

Alessandro Scarlatti’s Il primo omicidio (1707), recounts the first murder in the history of...