Irène Brisson

_{Opéra de Québec}La Cenerentola“Strong impression in the dizzying and formidable ensembles”

by Irène Brisson | Oct 29, 2025 | Featured, Reviews

Opéra de Québec | La Cenerentola | Opera Canada

_{Festival d’opéra de Québec
Festival Roundup} “Highlighting the richness of French-speaking repertoire”

by Irène Brisson | Aug 7, 2025 | Featured, Reviews

Festival d’opéra de Québec | Festival Roundup | Opera Canada

_{Festival d’opéra de Québec
Carmen} “Focused on the characters and the love triangle”

by Irène Brisson | Aug 6, 2025 | Featured, Reviews

Festival d’opéra de Québec | Carmen | Opera Canada

_{Opéra de Québec
Il trovatore} “High-calibre treatment from the wonderful cast of singers”

by Irène Brisson | May 21, 2025 | Featured, Reviews

Opéra de Québec | Il trovatore | Opera Canada

_{Opéra de Québec
Le comte Ory} “A playful show, a bit irreverent”

by Irène Brisson | Oct 30, 2024 | Featured, Reviews

Opéra de Québec | Le comte Ory | Opera Canada

_{Festival d’opéra de Québec
Festival Roundup} “A festival full of discoveries”

by Irène Brisson | Aug 14, 2024 | Featured, Reviews

Festival d’opéra de Québec| Festival Roundup | Opera Canada

_{Opéra de Québec
La voix humaine} “Breathtaking authenticity going through all possible ranges of emotion”

by Irène Brisson | Aug 6, 2024 | Featured, Reviews

Opéra de Québec: La voix humaine Review

_{Opéra de Québec
Die Fledermaus} “The result was colorful, entertaining, and full of Quebecois allusions.”

by Irène Brisson | May 31, 2024 | Featured, Reviews

Cancelled in 2020 due to the pandemic, Johann Strauss' Die Fledermaus was finally performed four...

_{Opéra de Québec
Lucie de Lammermoor} “Soulignons la solide prestation du chœur…et l’excellence de l’orchestre symphonique de Québec”

by Irène Brisson | Nov 3, 2023 | Featured, Reviews

Jean-François Lapointe, directeur général et artistique de l’Opéra de Québec est, on le sait, très...

_{Opéra de Québec Madama Butterfly} “La révélation de la soirée fut assurément l’inspirante et dynamique Clelia Cafiero”

by Irène Brisson | Jun 7, 2023 | Featured, Reviews

Pour sa première production, en 1985, L’Opéra de Québec avait choisi Madama Butterfly. Repris en...

Irène Brisson

_{Opéra de Québec}La Cenerentola“Strong impression in the dizzying and formidable ensembles”

_{Festival d’opéra de Québec
Festival Roundup} “Highlighting the richness of French-speaking repertoire”

_{Festival d’opéra de Québec
Carmen} “Focused on the characters and the love triangle”

_{Opéra de Québec
Il trovatore} “High-calibre treatment from the wonderful cast of singers”

_{Opéra de Québec
Le comte Ory} “A playful show, a bit irreverent”

_{Festival d’opéra de Québec
Festival Roundup} “A festival full of discoveries”

_{Opéra de Québec
La voix humaine} “Breathtaking authenticity going through all possible ranges of emotion”

_{Opéra de Québec
Die Fledermaus} “The result was colorful, entertaining, and full of Quebecois allusions.”

_{Opéra de Québec
Lucie de Lammermoor} “Soulignons la solide prestation du chœur…et l’excellence de l’orchestre symphonique de Québec”

_{Opéra de Québec Madama Butterfly} “La révélation de la soirée fut assurément l’inspirante et dynamique Clelia Cafiero”

Winter Issue on Newsstands

Canadians Next on Stage

Laughing Out Lonely Matilde Böcher & Asger Kudahl
Tapestry Opera

21C Music Various
The Royal Conservatory of Music

21C Music Various
The Royal Conservatory of Music

Kishi Bashi Various
Royal Conservatory of Music

21C Music Various
The Royal Conservatory of Music

Mozart and Now Various
Colorado Symphony

Rigoletto Verdi
Canadian Opera Company

21C Music Various
The Royal Conservatory of Music

Salon 18 Various
Opera Unbound

21C Music Various
The Royal Conservatory of Music

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