(and we taste disappointment for the first time) The second eight-hour concert hits differently. Repertoire begins to repeat, Bourgie Hall’s “discount sepulchre” vibe closes in; you glare with outrage and longing at the judges’ complimentary cushions. It becomes...
It’s good that music competitions are rare. It keeps them weird. I suppose for many people they are just concerts, which sounds like it would be nice. Since you’re reading this in Opera Canada you’re likely more familiar than most with competitions, which are one of...
Opéra de Montréal The biggest factor in determining a company’s mood during these turbulent times seems to be the size of its overhead. “I’m very happy not to own an opera house right now,” says Patrick Corrigan, General Director of Opéra de Montréal. Like everyone...
With Written on Skin, composer George Benjamin and librettist Martin Crimp have fashioned a svelte opera, as effective as a scalpel. With brisk 90-minute pacing, a small cast, and persuasive and accessible music, you could call it shrewd—political psychodrama for the...