Patrick Dillon

_{Metropolitan Opera
Fidelio} “Top notch performance of a great but far-from-perfect opera”

by Patrick Dillon | Mar 11, 2025 | Featured, Reviews

Metropolitan Opera | Fidelio | Opera Canada

_{Metropolitan Opera
Rigoletto} “The performance transcends its trappings”

by Patrick Dillon | Jan 23, 2025 | Featured, Reviews

Metropolitan Opera | Rigoletto | Opera Canada

_{Metropolitan Opera
Tosca} “Something very special is going on”

by Patrick Dillon | Jan 21, 2025 | Featured, Reviews

Metropolitan Opera | Tosca | Opera Canada

_{Metropolitan Opera
Die Frau ohne Schatten} “The curse of a long memory”

by Patrick Dillon | Dec 12, 2024 | Featured, Reviews

Metropolitan Opera | Die Frau ohne Schatten | Opera Canada

_{Washington National Opera
MacBeth} “Taut and telling stage pictures”

by Patrick Dillon | Nov 26, 2024 | Featured, Reviews

Washington National Opera | MacBeth | Opera Canada

_{Metropolitan Opera
Tosca} “A gentler, less overtly volatile Tosca”

by Patrick Dillon | Nov 20, 2024 | Featured, Reviews

Metropolitan Opera | Tosca | Opera Canada

_{Metropolitan Opera
Grounded} “The Met has a new star”

by Patrick Dillon | Oct 10, 2024 | Featured, Reviews

Metropolitan Opera | Grounded | Opera Canada

_{The Metropolitan Opera
Roméo et Juliette} “Theatrically, this is a good, tight, straightforward show”

by Patrick Dillon | Mar 26, 2024 | Featured, Reviews

The New York Times critic W. J. Henderson, back in 1897, punningly dubbed The Metropolitan...

_{Metropolitan Opera
Florencia en el Amazonas} “Yannick Nézet-Séguin led the orchestra with an audible strong affection for Catán’s colours and rhythms”

by Patrick Dillon | Dec 14, 2023 | Featured, Reviews

“I’m Old Fashioned”—that lilting Jerome Kern standard popped unbidden into my head as Florencia en...

_{The Metropolitan Opera
Dead Man Walking} “Jake Heggie, I hope, was feeling justifiably proud”

by Patrick Dillon | Oct 12, 2023 | Featured, Reviews

Dead Man Walking, the opera, has enjoyed a remarkable life: it’s been around for twenty-three...

_{Metropolitan Opera
Fidelio} “Top notch performance of a great but far-from-perfect opera”

_{Metropolitan Opera
Rigoletto} “The performance transcends its trappings”

_{Metropolitan Opera
Tosca} “Something very special is going on”

_{Metropolitan Opera
Die Frau ohne Schatten} “The curse of a long memory”

_{Washington National Opera
MacBeth} “Taut and telling stage pictures”

_{Metropolitan Opera
Tosca} “A gentler, less overtly volatile Tosca”

_{Metropolitan Opera
Grounded} “The Met has a new star”

_{The Metropolitan Opera
Roméo et Juliette} “Theatrically, this is a good, tight, straightforward show”

_{Metropolitan Opera
Florencia en el Amazonas} “Yannick Nézet-Séguin led the orchestra with an audible strong affection for Catán’s colours and rhythms”

_{The Metropolitan Opera
Dead Man Walking} “Jake Heggie, I hope, was feeling justifiably proud”

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Canadian Stage and Why Not Theatre

Mahabharata Part Two: Dharma: The Life We Choose John Gzowski and Suba Sankaran
Canadian Stage and Why Not Theatre

St. Matthew Passion Bach
Grand Philharmonic Choir

RigolettoVerdi
Pacific Opera Victoria

operacanada

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