Vancouver Opera presents dramatic works onstage, but there has been some drama offstage as the...
News
SMCQ 2017-2018 Season – Long live today’s music!
Montréal, Septembre 20, 2017 – Société de musique contemporaine du Québec (SMCQ) begins its Homage...
She Falls from a Tower Shaped Like a Dagger
A splendid new co-production of Puccini’s Tosca by Opéra de Montréal and the Cincinatti Opera...
Letters: Sir Peter Hall obituary
Meirion Bowen writes: Peter Hall played a key role in rescuing the reputation as an opera composer...
Mark Padmore on festivals, lieder and musical conversations
Regional music and arts festivals continue to proliferate, so I ask Padmore what it is that makes...
In order to stay relevant, opera in Australia needs to tackle its demons
Unveiling her final program for Opera Queensland, Lindy Hume reflects on the transformative power...
Opéra de Montréal’s Tosca Emphasizes Realism and the Score
The Opéra of Montréal will open its 2017-18 season with an all-time classic: Tosca by Giacomo...
Kiri Te Kanawa quits public performance after five-decade career
Soprano who retired from operatic roles in 2009 says her voice ‘is in the past’ and reveals final...
The silence of the lamb: giving Mansfield Park’s Fanny Price a voice
The meek heroine of Jane Austen’s third novel reveals little of herself. It was in those absences...
Greer Grimsley to join Lise Lindstrom in Concert for “One Amazing Night” replacing René Barbera
San Diego, CA – Bass-baritone Greer Grimsley will replace tenor René Barbera for San Diego Opera’s...