Featured

Viewpoint: Is Canadian opera headed for another shutdown?

Viewpoint: Is Canadian opera headed for another shutdown?

For live performance in Canada—and here I’m including Canadian opera, ballet, ‘straight’ theatre, orchestras—things were looking cautiously optimistic since the start of the fall season. Canadian opera companies like Vancouver Opera and Manitoba Opera put on shows at...

#BehindtheCurtain: Jonelle Sills: “Keep moving forward”

#BehindtheCurtain: Jonelle Sills: “Keep moving forward”

In our newest, exclusive Q&A series #BehindtheCurtain, we're going 'backstage' to ask Canadian opera artists to share their journey and what inspires them. In this installment, soprano Jonelle Sills shares what sparked her career in opera, and the mentors that...

Sondra Radvanovsky ‘blossoms’ in the Met’s Tosca

Sondra Radvanovsky ‘blossoms’ in the Met’s Tosca

So much press hoopla has been lavished on the Met’s two new operas, Terence Blanchard’s Fire Shut Up in My Bones and Matthew Aucoin’s Eurydice—Fire alone inspired four feature articles in The New York Times, not to mention an opinion column and an actual review—that...

The Cardinal Diaries: A Case of The Post Performance Blues

The Cardinal Diaries: A Case of The Post Performance Blues

It’s Chapter 5 of Lauren Margison‘s series, The Cardinal Diaries: A Case of The "Post Show" Blues! If you missed the first four instalments, you can read them here: chapter one, chapter two, chapter three, and chapter four. Below, our titular soprano grapples with a...

Vancouver Opera returns with “imaginative” Orfeo ed Euridice

Vancouver Opera returns with “imaginative” Orfeo ed Euridice

The Queen Elizabeth Theatre was packed on December 4 for Vancouver Opera’s first live staging since COVID-19 hit in early 2020.  It was the first of only two performances of the company premiere of Christoph Willibald Gluck’s 1762 Orfeo ed Euridice. An interesting...

Secret Link