Shanawdithit, with music by Dean Burry and libretto by Yvette Nolan is the story of Shanawdithit, last surviving member of the Beothuk people of Newfoundland who died before turning thirty, in 1829. The opera goes beyond simply narrating the last year of...
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Ghost Opera: the ‘Ananke’ and magic behind the May 24 premiere
There are a lot of people working on Ghost Opera--the May 24th world premiere is a collaboration between Calgary Opera, the Banff Centre for Arts and Creativity, and the Old Trout Puppet Workshop. That’s why the Greek concept Ananke is how Judd Palmer, co-founder of...
In Conversation: Dean Burry and Yvette Nolan: Shanawdithit
In some circles, opera is perceived as a notoriously ‘colonial artform.’ But the creators of Tapestry Opera and Opera on the Avalon's Shanawdithit don’t believe in the label. After all, examples of opera—any piece of theatre that combines singing, acting, and elements...
News: 19/20 Opéra de Québec season announced!
Opéra de Québec announced details of their upcoming 19/20 season on Saturday night at the premiere of their current production of Verdi’s Nabucco. The season begins on Oct. 19th with Verdi’s classic, La traviata. The cast features a mixture of Canadian veterans and...
Viewpoint: COC’s La Bohème can convert any non-believer
*tap tap* Is this thing on? Hello everyone. My name is Lydia Perović and I’m here to admit publicly that after years—nay, decades—of musical snobbery, I am coming out as a fan of Puccini’s La Bohème. SUPPORT GROUP FOR THE LOVERS OF SENTIMENTAL MUSIC: Hi, Lydia! This...
Review: Vancouver Opera’s La Cenerentola is “three hours of irresistible, effervescent fun”
Vancouver Opera’s production of Giacomo Rossini’s La Cenerentola (seen May 1st) hardly put a foot wrong. Perfect casting, insightful yet genuinely funny direction by Rachel Peake, witty acting and above all, brilliant singing throughout added up to nearly three hours...
Review: COC’s Otello features “one of the best Iagos of the current generation”
Arrigo Boito, the redoubtable 19th-century Italian poet and Verdi’s best known librettist, skillfully distilled and adapted Shakespeare’s Othello for the operatic stage but also, unfortunately for us today, flattened it into a morality play. Gone is Shakespeare’s Act...
La Bohème: How accurate is the ‘starving artist’ trope?
Giacomo Puccini’s warhorse La Bohème is a tale about young artists’ whirlwind lives in the centre of the artistic world of 19th-century Paris. Audiences experience a window into their passion, ambition, and their poverty. Veiled behind Canadian Opera Company’s (COC)...
Profile: Russell Thomas takes on Otello and talks representation
Early on in his career, a suggestion was made to tenor Russell Thomas that he only sing Mozart. “I thought that was the biggest insult,” he remembers, laughing. It turned out to be good advice. “When I was in college I sang a lot of repertoire that was probably...
Commentary: Opera Atelier’s Idomeneo: Mozart’s neo-classical grand opera
There has been little if no question over the years that Mozart's opera seria, Idomeneo (1781), is considered to be the composer's masterpiece in the genre. But something new seemed to pop out at Toronto’s Ed Mirvish Theatre on April 6 that I had initially missed...
Review: Against the Grain Theatre & Vivier’s Kopernikus: technology takes on ritual
Against the Grain Theatre (AtG) opened Claude Vivier’s Kopernikus: A Ritual Opera for the Dead on Apr. 5 at Toronto’s Theatre Passe Muraille in a staging that featured a multi-disciplinary ensemble, roaming orchestra, and some very moving music. The work is one of the...
Take Note! Announcing Opera Canada’s emerging artists recital series
[vc_row][vc_column][vc_column_text] Not your usual night at the opera—be among the first to discover Canada’s newest opera talent! [/vc_column_text][vc_row_inner][vc_column_inner][vc_single_image image="11489"...












