Opéra de Québec announced details of their upcoming 19/20 season on Saturday night at the premiere...
Featured
Viewpoint: COC’s La Bohème can convert any non-believer
*tap tap* Is this thing on? Hello everyone. My name is Lydia Perović and I’m here to admit...
Review: Vancouver Opera’s La Cenerentola is “three hours of irresistible, effervescent fun”
Vancouver Opera’s production of Giacomo Rossini’s La Cenerentola (seen May 1st) hardly put a foot...
Review: COC’s Otello features “one of the best Iagos of the current generation”
Arrigo Boito, the redoubtable 19th-century Italian poet and Verdi’s best known librettist,...
La Bohème: How accurate is the ‘starving artist’ trope?
Giacomo Puccini’s warhorse La Bohème is a tale about young artists’ whirlwind lives in the centre...
Profile: Russell Thomas takes on Otello and talks representation
Early on in his career, a suggestion was made to tenor Russell Thomas that he only sing Mozart. “I...
Commentary: Opera Atelier’s Idomeneo: Mozart’s neo-classical grand opera
There has been little if no question over the years that Mozart's opera seria, Idomeneo (1781), is...
Review: Against the Grain Theatre & Vivier’s Kopernikus: technology takes on ritual
Against the Grain Theatre (AtG) opened Claude Vivier’s Kopernikus: A Ritual Opera for the Dead on...
Take Note! Announcing Opera Canada’s emerging artists recital series
[vc_row][vc_column][vc_column_text] Not your usual night at the opera—be among the first to...
In memoriam: Roger Moore (1939-2019)
The recent passing of philanthropist Roger D. Moore sent shock waves through the Toronto opera...