There was a time when ‘opera’ implied a notion of music that unabashedly included the expectation...
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News: Canadian Opera Company Announces 19/20 Season
The Canadian Opera Company announced their 19/20 season at a special, ‘season reveal’ event at...
Review: Gerald Finley brings an “aching pathos” to Metropolitan Opera’s Bluebeard’s Castle
To see or not to see: that’s the question posed by Metropolitan Opera’s intriguing pairing of...
News: 2019 International Opera Awards—Canadian Finalists
On Tuesday morning, The International Opera Awards announced their 2019 finalists, and several...
Review: L’Opéra de Montréal’s Champion offers redemption…in black and blue
What makes a man? His wins? His losses? His mistakes and regrets? His memories? Is it in how he...
Review: Canadian Opera Company Elektra “a rare theatrical perfect storm”
Best productions of Elektra have a lead singer who can make the jagged vocal score sound...
News: Tapestry Opera premieres hybrid Hook Up
A theatrical hybrid is making its way to the stage in late January and it’s not holding back....
News: German bass Wilhelm Schwinghammer takes on Orest in COC’s Elektra
The recent cold snap in Toronto isn’t bothering Wilhelm Schwinghammer. “I’m used to this being...
News: Canadians Jaime Martino and Rebecca Hass in OPERA America Intensive Program
OPERA America has recently announced the 2019 participants for their highly competitive Leadership...
News: Adrianne Pieczonka appointed Vocal Chair of RCM’s Glenn Gould School
The Royal Conservatory announced today that it has appointed internationally celebrated Canadian...