Canadian Opera Company’s season-opening, Eugene Onegin (seen Sept. 30th), was thrilling in its portrayal of gut-wrenching conflict and pathos as well as touching in its many sensitive and warm collaborations between orchestra and singers. Tchaikovsky’s three-act...
October 22, 2018 - The 18th annual Opera Canada Awards — 'The Rubies,' was a stupendous success. Our sold out gala brought together members of the opera community from across the country including Winnipeg, Edmonton, Montréal, Victoria, as well as guests from across...
From the dark, brooding tale of punishment that is Charpentier's Actéon to the ethereal splendour of Rameau’s Pygmalion, this Opera Atelier two-in-one production will bring mystical worlds of darkness and delight to life on October 25th. In fact—make that a...
Pacific Opera Victoria’s season-opening production of Beethoven’s Fidelio is musically magnificent. From minor roles to major, the voices are superb, and the Pacific Opera Chorus—mostly young, all volunteer—is impressive. The Victoria Symphony, too, played with verve...
At Canadian Opera Company on Oct. 13th, Daniel MacIvor and Rufus Wainwrights’ first collaboration, Hadrian, came to life as a fairly accomplished opera. It could have been a greater experience had it not been tied to an unimaginative production that appears to have...
For the first time in its 18-year history, the 2018 Rubies is honouring one of its own. Fittingly it’s Wayne Gooding, the recently retired editor of Opera Canada. Wayne joined OC in 1992 as a volunteer board member. Soon he was drafted to assume the role of Chair of...
Hadrian, Rufus Wainwright’s all-new operatic creation, is days away from hitting the main stage. As all eyes train on Toronto for its highly anticipated world premiere, the Canadian Opera Company is hosting a conference called “Hearing Hadrian,” aimed at exploring the...
Soprano and vocal pedagogue Dominique Labelle feels honoured to receive one of this year’s Opera Canada Awards (a ‘Ruby’). “It is humbling but heart-warming to be recognised by your country and your peers.” Dominique Labelle adds with a wistful grin, “in addition the...
Less is not always more, especially in opera staging and design, but director Robert Carsen and his creative team have achieved a pared down Eugene Onegin that is at the same time distilled and intensified. Besides Carsen, the contributions of set and costume designer...
The availability of live-streamed and on-demand opera has exploded in the last five years. Major companies like Royal Opera House (Covent Garden), Opéra national de Paris, Grand Teatre del Liceu (Barcelona) and Vienna State Opera have cinema distribution deals...
Opera Canada Awards 2018 honouree, Alexander Neef, is in a thoughtful mood as he looks back on his time with the Canadian Opera Company. “It was a pretty unique situation,” he says, recalling his arrival in Toronto in 2008, “of a company that had just built one of the...
Is there a more problematic opera for the #MeToo era than Rigoletto? As yet another wealthy, powerful, privileged man sits in Washington accused of sexual assault, Verdi’s portrayal of predatory male entitlement and unpunished crime seems more distasteful and vexing...