After a seven-year absence, fully staged opera returned to FirstOntario Concert Hall for one night...
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Review: Royal Opera House’s midsummer Falstaff is “truly a dream”
It’s no secret that Robert Carsen’s production of Falstaff (seen July 13), which premiered at...
Opera Canada Awards—’The Rubies’: Announcing our 2018 Honourees!
Opera Canada is proud to announce the three distinguished honourees who will receive the 2018...
Breaking boundaries at Banff: Chamber Werx brings new take on traditional music
This summer, as part of its Opera in the 21st Century program, the Banff Centre for Arts and...
Review: The Llandovery Castle brings “real emotional power” to premier performance in Toronto
On 27th June 1918, the Canadian hospital ship, HMHS Llandovery Castle, laden with doctors, nurses...
Dora Awards 2018: Orphée scoops big win in opera category
June 26th, 2018: The recipients of the 39th annual Dora Mavor Moore Awards were announced last...
Review: Opera 5’s “simple and successful adaptation” brings new life to Rossini’s Il barbiere di Siviglia
Opera 5’s new production of Rossini’s Il barbiere di Siviglia (seen Jun. 13) proves that a small,...
Review: Catherine Daniel brings “smoky allure” to The Little Opera Company’s La Tragédie de Carmen
The Little Opera Company wrapped up its 2017/18 season with British theatre director Peter Brook’s...
Review: In Paris Opera’s L’heure espagnole Michèle Losier shows off her “sharp comic timing”
Fourteen years after its first run at the Palais Garnier in 2004, French director Laurent Pelly's...
CMIM 2018: The grand finale—an evening of surprises
Last night at Montreal’s Maison symphonique, the six finalists in the 2018 Concours Musical...