Kurt Weill’s Street Scene, presented by UofT Opera and directed by Michael Patrick Albano takes...

Kurt Weill’s Street Scene, presented by UofT Opera and directed by Michael Patrick Albano takes...
Calgary Opera opened its new season in daring fashion on Nov. 17th with a bold and expensive...
Against the Grain Theatre’s Bound v.2 (seen Nov. 19th) is opera for our times. Handel arias and...
There have been many stories told in every art form of late about immigration, migration and...
As the most compact of the Ring operas —clocking in at a trifling two-and-a-half hours— Das...
There’s almost always a certain splashy excitement attendant on a new production’s opening night,...
I’m an unabashed admirer of verismo opera, but I freely admit having qualms when Wexford announced...
While David Alden’s production of Donizetti’s Lucia di Lammermoor contains a few puzzling or...
“The Empire holds its breath, awaiting orders.” These lines, sung early in the Canadian Opera...
Canadian Opera Company’s season-opening, Eugene Onegin (seen Sept. 30th), was thrilling in its...