Is there a more problematic opera for the #MeToo era than Rigoletto? As yet another wealthy,...

Is there a more problematic opera for the #MeToo era than Rigoletto? As yet another wealthy,...
Jani Lauzon’s I Call myself Princess (seen Sept. 13th) skilfully weaves together two stories. The...
City Opera Vancouver opens its 2018 season this week with a new production of the classic '90s...
The trouble with Paul Bunyan is that the music is too good. If Benjamin Britten hadn’t been...
Musique 3 Femmes has announced the winners of a new prize honouring emerging Canadian women...
Manitoba Underground Opera surfaced once again on the cusp of Winnipeg's regular arts season with...
It was with a certain degree of ambivalence that I attended the summer 2018 production of La...
When he began working on The Bassarids in 1963, the 37-year-old Hans Werner Henze (1926-2012) had...
From the stony ruins of a historic cathedral to the stately grandeur of Manitoba’s Legislative...
Can something be called ‘new’ 170 years after it was written? In the case of Franz Liszt’s...