The Little Opera Company wrapped up its 2017/18 season with British theatre director Peter Brook’s...
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Review: In Paris Opera’s L’heure espagnole Michèle Losier shows off her “sharp comic timing”
Fourteen years after its first run at the Palais Garnier in 2004, French director Laurent Pelly's...
CMIM 2018: The grand finale—an evening of surprises
Last night at Montreal’s Maison symphonique, the six finalists in the 2018 Concours Musical...
CMIM Aria Semi-finals: All tenors, all the time
Last night at Montreal’s Maison symphonique, the second group of six singers who advanced through...
CMIM Aria Semi-finals: Canadian singers D’Angelo and Haji stand out
Last night at Montreal’s Maison symphonique, six of the singers who advanced through the first...
2018 CMIM Art Song Finals: Touching the heart & technical wizardry
Today at 3 p.m. in Montreal’s Bourgie Hall, the four singers and pianists who advanced through the...
Review: Vancouver Opera’s Eugene Onegin—the audience went wild
Vancouver Opera’s production of Eugene Onegin, the mainstay of the 2018 Vancouver Opera Festival,...
Review: Canadian Opera Company’s Anna Bolena struggles to ignite dramatic sparks
There are operas whose musical and dramatic brilliance does not show signs of ever running out, hundreds of years into their production history. Then there are operas which make you wonder if the art form is deader than a museum piece.
Review: Toronto Operetta Theatre’s season-ending Beautiful Helen a rip-roaring Grecian romp
Toronto Operetta Theatre ends its 17/18 season with the popular French operetta, La belle Hélène...
Review: Pacific Opera Victoria’s Rinaldo the original operatic mashup!
The creators of recent mashups of history and science fiction or literature and fantasy, such as...