In our upcoming Summer 2021 issue, contributor Joseph So reviews Houston Grand Opera's recording...
Interviews
Claire de Sévigné on performing ‘big opera’ in France during a pandemic
Since March of last year, more and more opera houses have turned to digital means to continue to...
Tapestry revives Summer Box Concerts & reflects on their pandemic strategy
For a second year in a row, Tapestry Opera is bringing curbside concerts to Toronto in their...
How to put opera on screen: Taylor Long
Since March 2020, opera's relationship with film has grown leaps and bounds. Opera on screen may...
How to put opera on screen: Ryan Harper
In a fresh focus on opera-friendly recording technicians, we're continuing our series of "opera on...
How to put opera on screen: Coffeeshop Creative’s Stephen Bell
Though stages still feel deserted, the pandemic inspired an extraordinary boom for videographers...
Dear composer… Advice from Lawrence Wiliford
From his position as Co-Artistic Director of the Canadian Art Song Project, tenor Lawrence...
Dear singer… Advice from James Garner
Our advice series continues! In this latest instalment of "Dear singer..." we hear from UK-based...
Royce Vavrek: Librettist-approved film picks
If you couldn’t tell by his operatic adaptations of films like Lars von Trier’s Breaking the...
Canadian tenor Paul Frey turns 80
Anxiously awaiting the warm weather that signals his return to the golf course, Canadian tenor...