“The Empire holds its breath, awaiting orders.” These lines, sung early in the Canadian Opera...

“The Empire holds its breath, awaiting orders.” These lines, sung early in the Canadian Opera...
Canadian Opera Company’s season-opening, Eugene Onegin (seen Sept. 30th), was thrilling in its...
Pacific Opera Victoria’s season-opening production of Beethoven’s Fidelio is musically...
At Canadian Opera Company on Oct. 13th, Daniel MacIvor and Rufus Wainwrights’ first collaboration,...
Less is not always more, especially in opera staging and design, but director Robert Carsen and...
Is there a more problematic opera for the #MeToo era than Rigoletto? As yet another wealthy,...
Jani Lauzon’s I Call myself Princess (seen Sept. 13th) skilfully weaves together two stories. The...
The trouble with Paul Bunyan is that the music is too good. If Benjamin Britten hadn’t been...
Manitoba Underground Opera surfaced once again on the cusp of Winnipeg's regular arts season with...
It was with a certain degree of ambivalence that I attended the summer 2018 production of La...