Chants Libres responds to accusations of racial insensitivity in review
Following Natasha Gauthier's review of Prélude à l'opéra L'orangeraie, Chants Libres responds with...
Simone McIntosh: “It is so easy to be beholden to our negative thoughts.”
This is the continuation of a new series of Q&As with the artists of Canada's opera scene....
Stratagem Artists Management makes Canadian expansion
In a bit of operatic optimism, Canada just added a bit of competition to its management scene....
UBC Opera Ensemble takes on Mansfield Park
10 years after it was first commissioned by Heritage Opera in 2008, Mansfield Park finds itself at...
Amplified Opera announced as the Canadian Opera Company’s first Disruptor-in-Residence
Announcing their first edition of a new program, Amplified Opera has been named the...
Opera’s big week in history: Cinderella, Puritans, & love triangles, oh my!
It's a big week for opera birthdays, readers! On January 25, 1817, Rossini's La Cenerentola...
Women in Musical Leadership Program Chooses Inaugural Conductors
Canadians Juliane Gallant and Jennifer Tung have been announced as the first conductors to join...
Brett Polegato: “The arts will have lost far more than it gains…”
This is the first in a new series of Q&As with the artists of Canada's opera scene. After our...
Taking a bow: curtain calls for your voice type
Note: this article was originally published on Schmopera.com, and is being reprinted here with...
The play’s the thing: Opera in Concert’s new Cocteau-Poulenc double-bill
VOICEBOX: Opera in Concert is making an exciting debut into the digital world, with its upcoming...
