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The Life to Come: a new opera by Louis Mander and Stephen Fry

The Life to Come: a new opera by Louis Mander and Stephen Fry

It began ‘with a purely obscene fancy of a Missionary in difficulties’. So E.M. Forster wrote to Siegfried Sassoon in August 1923, of his short story ‘The Life to Come’ - the title story of a collection that was not published until 1972, two years after Forster’s...

Against the Grain Theatre #GoForBaroque in 2017/2018 season

Against the Grain Theatre #GoForBaroque in 2017/2018 season

A Handel mash-up and an international co-production comprise AtG’s most expansive season to date TORONTO – Against the Grain Theatre (AtG) returns in its eighth season with BOUND, a pastiche workshop of new interpretations of Handel’s music, and a groundbreaking new...

Cerise Jacobs is Full of Revelations in Her New Opera, REV. 23

Cerise Jacobs is Full of Revelations in Her New Opera, REV. 23

PREVIEW: of the world premiere production of the Cerise Jacobs/Julian Wachner opera REV. 23, at Boston’s John Hancock Hall, on September 29 at 7:30 p.m.; September 30 at 7:30 p.m.; and October 1 at 3 p.m. Boston-based librettist and myth-maker Cerise Jacobs has an...

Vancouver Opera sings a different tune

Vancouver Opera sings a different tune

Vancouver Opera presents dramatic works onstage, but there has been some drama offstage as the company shifts from a traditional season to festival model – and back again, sort of. Two years ago, as it struggled with the same issue many opera companies deal with –...

SMCQ 2017-2018 Season – Long live today’s music! 

SMCQ 2017-2018 Season – Long live today’s music! 

Montréal, Septembre 20, 2017 – Société de musique contemporaine du Québec (SMCQ) begins its Homage Series with six concerts plus three “special” events focusing on José Evangelista, a composer on a remarkable path. Evangelista has marked the recent evolution of music...

She Falls from a Tower Shaped Like a Dagger

She Falls from a Tower Shaped Like a Dagger

A splendid new co-production of Puccini’s Tosca by Opéra de Montréal and the Cincinatti Opera broods on the terrible power of art, eros, and the state. "Compassion is the yin to power’s yang. Compassion cannot enact the relative freedom and justice of the “good” state...

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