Review: Joyce El-Khoury brings a ‘meaty dramatic approach’ to long-lost Liszt opera Sardanapalo
Can something be called ‘new’ 170 years after it was written? In the case of Franz Liszt’s...
Review: Santa Fe Opera returns to its Straussian roots with a new, “not to be missed” Ariadne auf Naxos
When the late John Crosby created an opera house in the middle of the New Mexican desert, just...
Review: Robert Lepage’s techno-heavy The Magic Flute at Festival d’Opéra de Québec
The blockbuster show at this summer’s Festival d’Opéra de Québec is Robert Lepage’s new production...
Review: Karina Gauvin’s “consistently beautiful singing” is the highlight of Glyndebourne’s Saul
Back in the days before we expected Handel’s oratorios to be staged as operas, the smart comment...
Review: BrottOpera’s production brings “artistic strength” to Mozart’s The Magic Flute
After a seven-year absence, fully staged opera returned to FirstOntario Concert Hall for one night...
Review: Royal Opera House’s midsummer Falstaff is “truly a dream”
It’s no secret that Robert Carsen’s production of Falstaff (seen July 13), which premiered at...
