Review: Wallis Giunta brings “real passion” and “undeniably glamorous charisma” to Music and Beyond Festival’s Dido and Aeneas
Now in its 9th summer, Ottawa’s Music and Beyond festival was launched by Ottawa cellist Julian...
Review: The Llandovery Castle brings “real emotional power” to premier performance in Toronto
On 27th June 1918, the Canadian hospital ship, HMHS Llandovery Castle, laden with doctors, nurses...
Review: Opera 5’s “simple and successful adaptation” brings new life to Rossini’s Il barbiere di Siviglia
Opera 5’s new production of Rossini’s Il barbiere di Siviglia (seen Jun. 13) proves that a small,...
Review: Catherine Daniel brings “smoky allure” to The Little Opera Company’s La Tragédie de Carmen
The Little Opera Company wrapped up its 2017/18 season with British theatre director Peter Brook’s...
Review: In Paris Opera’s L’heure espagnole Michèle Losier shows off her “sharp comic timing”
Fourteen years after its first run at the Palais Garnier in 2004, French director Laurent Pelly's...
CMIM 2018: The grand finale—an evening of surprises
Last night at Montreal’s Maison symphonique, the six finalists in the 2018 Concours Musical...
