The Devil Came Up to Boston for Cerise Lim Jacobs’ New Opera, “REV. 23”
REVIEW of REV. 23, a new comic opera that sees beyond the End of Days, conceived and written by...
From the House of the Dead review – Welsh National Opera’s landmark staging demands to be heard
Millennium Centre, Cardiff Welsh National Opera’s revival brings David Pountney’s 1982 version...
Giulio Cesare and Dardanus review – ETO update Handel and make Rameau feel contemporary
Hackney Empire, London English Touring Opera’s ambitious autumn programme features two baroque...
Così fan tutte review – Nicholas Hytner’s irresistible production takes a bow
Glyndebourne, Lewes Hytner’s sunny, unironic staging of Mozart’s problematic comedy – about to...
The Golden Dragon; Opera: Passion, Power and Politics – review
Birmingham Rep; V&A, London Peter Eötvös’s tragicomic opera about a Chinese immigrant worker...
Gluck’s Orphée et Eurydice at Lyric Opera of Chicago
The roles of Orphée, Eurydice, and Amour are sung by Dmitry Korchak, Adrianna Chuchman, and Lauren...
