The Canadian Opera Company has announced today that General Director Alexander Neef is to become...
Angie Bell
Review: The Abduction from the Seraglio reinvented at Canadian Opera Company, Feb. 7, 2018
Wajdi Mouawad’s much anticipated production of Mozart’s The Abduction from the Seraglio made its...
Special preview: Tap:Ex Forbidden, Tapestry Opera
Tapestry Opera’s Tap:Ex series will take the stage with their latest piece, Forbidden, from Feb....
Review: Jazzified HMS Pinafore at Edmonton Opera, Feb. 3, 2018
There’s a faction of Edmonton Opera supporters who would love to see an operetta every time they...
Special Preview: Another Sunrise and Farewell, Auschwitz, The Electric Bond Opera Ensemble
Toronto-based company The Electric Bond Opera Ensemble present two one-act operas, Another Sunrise...
Five Canadians are Finalists in The International Opera Awards, Jan. 29, 2018
This morning, the International Opera Awards revealed their 2018 finalists, five of them renowned...
Review: Heggie’s Moby-Dick with Roger Honeywell, Utah Opera, Jan. 20, 2018
In composer Jake Heggie’s operatic treatment of Moby-Dick, there are significant obstacles when...
Review: L’elisir d’amore, Vancouver Opera, Jan. 21, 2018
It has been nearly twenty years since L’elisir d’amore graced the Vancouver Opera stage, so the...
Review: Ravel’s L’enfant et les sortilèges, Berlin Philharmonic’s Digital Concert Hall, Jan. 21, 2018
When it comes to the live presentation of both orchestral as well as operatic works, the Berlin...
Review: Christopher Alden’s didactic Rigoletto, Canadian Opera Company, Jan. 20, 2018
Christopher Alden’s production of Verdi’s Rigoletto originated in 2000 at Lyric Opera of Chicago...