This is the continuation of a new series of Q&As with the artists of Canada's opera scene. After our "Quarantine Questions" from the spring/summer of 2020, we're checking in once again with these artists as they share new perspectives on mid-pandemic opera. Next...
Interviews
Dear composer…Rachel Krehm asks: To beam, or not to beam?
In a special instalment of our composer-singer advice series, we're diving deep into notating music for singers. Drawing on her own experiences in commissioning and performing new music, Canadian soprano and Opera 5 General Director Rachel Krehm offers up a critique...
Racial stereotypes in traditional opera: Opera Canada talks with Amplified Opera
What do we do with so-called "traditional" operas that contain racial stereotypes? How do we call ourselves opera lovers in the 21st century, when works like Madama Butterfly, The Magic Flute, and La fanciulla del West offer both extraordinary musical storytelling as...
Jonelle Sills: “I am choosing not to be lazy but to engage in conversations and ask questions.”
This is the continuation of a new series of Q&As with the artists of Canada's opera scene. After our "Quarantine Questions" from the spring/summer of 2020, we're checking in once again with these artists as they share new perspectives on mid-pandemic opera. Next...
Dear composer…Dear singer part II: Dean Burry & Mireille Asselin
When you really think about it, the communication between an opera composer and an opera singer is a bit odd: each artist has spent years honing their very specialized craft, and they come together when it's time to do something extra-specialized - create a new opera....
Colin Ainsworth: “We musicians are a resilient bunch, but we need each other!”
This is the continuation of a new series of Q&As with the artists of Canada's opera scene. After our "Quarantine Questions" from the spring/summer of 2020, we're checking in once again with these artists as they share new perspectives on mid-pandemic opera. Next...
Dear composer…Dear singer: an advice series
When you really think about it, the communication between an opera composer and an opera singer is a bit odd: each artist has spent years honing their very specialized craft, and they come together when it's time to do something extra-specialized - create a new opera....
Rebecca Cuddy: “It is OK if singing feels like you’ve lost something right now.”
This is the continuation of a new series of Q&As with the artists of Canada's opera scene. After our "Quarantine Questions" from the spring/summer of 2020, we're checking in once again with these artists as they share new perspectives on mid-pandemic opera. Next...
Opera InReach: “What is an artform without its muse?”
Founded in 2020 by some of Canada's most exciting emerging artists, Opera InReach is out to revolutionize the concept of opera outreach. From specially curated curriculum to ongoing relationships with schools, Opera InReach has a mission to make opera and the...
Daniel Okulitch: “Figuring out how and what motivates you makes everything easier.”
This is the continuation of a new series of Q&As with the artists of Canada's opera scene. After our "Quarantine Questions" from the spring/summer of 2020, we're checking in once again with these artists as they share new perspectives on mid-pandemic opera. Next...
Simone McIntosh: “It is so easy to be beholden to our negative thoughts.”
This is the continuation of a new series of Q&As with the artists of Canada's opera scene. After our "Quarantine Questions" from the spring/summer of 2020, we're checking in once again with these artists as they share new perspectives on mid-pandemic opera. Next...
Post-pandemic shows: 5 Canadian operas poised for a revival
As opera contemplates a post-pandemic return to the live stage, we wonder what part Canadian operas might play in that "return to normal". We reached out to Wayne Strongman, conductor and founding Artistic Director of Tapestry Opera, who during his three decades at...












