OPERA PLACES Wallis Giunta takes us to London, England

by | Oct 17, 2024 | Artist of the Week, Featured, News

Irish-Canadian mezzo-soprano Wallis Giunta takes us to London, England where she is making her Royal Opera House debut as Dinah in Trouble in Tahiti (info and tickets here).

Wallis is an in demand mezzo both at home and abroad. This season she will be making two exciting house debuts with the Royal Opera House and Teatro alla Scala. In the 2023/2024 season, she made her Carnegie Hall debut and performed with Wiener Symphoniker, Opéra de Lausanne, Maison Symphonique and Vienna Volksoper. Wallis is a graduate of the Metropolitan Opera Lindemann Young Artist Development Program, the Juilliard School’s Artist Diploma in Opera Studies and the Canadian Opera Company Ensemble Studio.

While in London, Wallis gives us insight on her favourite London attractions and how she balances rehearsals while looking after her 10-month-old daughter.  Read on to find out more.

City where you’re working?
London, England

How long are you working on contract?
It’s an eight week contract, with nine performances. I’ve worked multiple times in London, but it’s my first time with the Royal Opera House.

What’s the opera house like?
It’s an institution! The Royal Opera House is one of the most exciting and vibrant theatres in the world, with a fascinating 260-year history and many world premieres along the way. Their programming is really interesting at the moment, and the artistic team is world class, and so kind. They’ve bent over backwards to support me while I navigate this production with my breastfeeding baby by my side.

Where is the most peaceful place in the city?
So far, I would say the Brompton Cemetery, near where I’m staying in Chelsea. It’s a very old, very beautiful cemetery filled with trees, and as soon as you walk in you forget you’re in central London. There are some really interesting people buried there, as well, like Emmeline Pankhust.

Best coffee or tea?
Luckily, they do a decent drip coffee at the opera house cafeteria, which is where I’m most often found. But for a special cup, I love Abuelo on Southampton Street. I’m a big fan of filter (not such an espresso girl) so I like places with more niche options.

Coolest bar or restaurant you’ve been to?                                   The Library Bar at NoMad – it’s like being in a cosy, private, 1800s library where someone happens to serve you drinks and snacks. Heaven…

An activity you have done that is unique to the area?             Let’s just say, with a 10-month-old baby, I don’t exactly get out much…but we’ve done a fair bit of thrift and vintage shopping together in the fabulous shops of Chelsea and Notting Hill. London does second-hand clothes like no other city! We’ve also joined two pro-Palestine solidarity marches, each with several hundred thousand people. Both had a beautiful energy from the crowd, and I felt so welcome and inspired. The collective liberation movement is powerful here in London, perhaps due to its incredible diversity as a global capital.

Is there something unexpected that happens locally that you discovered?
I wasn’t expecting 40,000 people to flood down my street every weekend when the local Chelsea FC football game gets out! Now I know that we live very close to the stadium, and even though our street is super quiet the rest of the week, on game day we plan ahead to avoid the exodus. It’s wild.

How did you find your accommodation?
Much searching online. I found the Airbnb listings in London to be hilariously overpriced, so I looked high and low for an independent furnished-rental option. I found one in the end with a lovely small company, called Art Apartments, who have several flats which they fill with interesting art (and furniture – LOL). It’s still expensive, but better than most other options I found.

What’s the most important thing you think of when it comes to finding accommodation as a singer?
It’s different now that I’m a parent. I look for the intersection of affordable, acceptable and not too far away – commuting with the baby means I can’t be too far out. It wouldn’t be fair to her to be riding the tube 2+ hours per day. If it was just me, I’d commute longer for a better apartment farther out, maybe with a garden, but in order to be closer to the theatre we chose something small and simple. The upside? We’re in Chelsea!

Have you had a chance to explore some galleries or museums?
Not yet. We’ve been to a lot of parks (Battersea, Hyde, Green, etc) but baby Bonnie is not yet museum/gallery ready, and thus I go where she goes: anywhere she can muck around and practice walking.

Is there anything you recommend beyond what we’ve asked here?
In London? Oh my God, the list is endless. Where do I even start? What are you into? It’s all here. For example, I was looking for a baby and toddler indoor play option for a rainy day and googled “ball pit”…the first listing was a nightclub filled waist-deep with balls where you pay a flat rate per hour for unlimited drinks. That’s London for you – you want it, they’ve got it.

LEARN MORE ABOUT WALLIS GIUNTA
VISIT HER WEBSITE
©Wallis Giunta
Wallis in London
©Marc Brenner
Trouble in Tahiti Dress Rehearsal
©Wallis Giunta
Wallis and Daughter Bonnie

Trouble in Tahiti
Royal Opera House

October 10-24

 

CONDUCTOR: Nicholas Chalmers

SAM: Henry Neill

DINAH: Wallis Giunta

TRIO: Kirsty McLean, Guy Elliot, Peter Edge

ORCHESTRA: Orchestra of the Royal Opera House

GUEST CONCERT MASTER: Kaoru Yamada

YOUNG JUNIOR: Jonah McGovern

DIRECTOR: Oliver Mears

DESIGNER: Annemarie Woods

LIGHTING DESIGNER: Fabiana Piccioli

MOVEMENT DIRECTOR: Sarah Fahie

REDUCED ORCHESTRATION: Garth Edwin Sunderland

SOUND DESIGN: Florence Hand

Trouble in Tahiti depicts a day in the life of Sam and Dinah, a married couple at odds with one another and the happy suburban life they crave. Unable to connect with his wife, Sam retreats into a hyper-masculine world of physical fitness, while Dinah turns to therapy and shopping. A trip to the cinema to see the latest film (Trouble in Tahiti) offers a window onto another world – but can the couple hold onto the illusion of happiness? 


Opera Canada depends on the generous contributions of its supporters to bring readers outstanding, in-depth coverage of opera in Canada and beyond.
Please consider subscribing or donating today.

Máiri Demings

Opera Canada’s Digital Content Specialist.

SUMMER ISSUE ON NEWSSTANDS


CANADIANS NEXT ON STAGE

No event found!