Review: Die Fledermaus makes grand return to Rennes, France
After an absence of over 20 years, Johann Strauss Jr.’s La Chauve-Souris (Die Fledermaus) made a...
Review: Megan Latham finesses the shifts in POV’s Bon Appetit! & The Italian Lesson
Oh the agony: to see a practically perfect chocolate cake made right in front of you but not be...
Rossini at play: an “ingenious staging” of Barber of Seville out of Opéra de Québec
Due to the pandemic, the last opera to be performed in Québec City was La traviata in October...
Opera Atelier’s The Resurrection is resplendent art in the face of adversity
George Frideric Handel’s The Resurrection is really an oratorio in name only. Discounting its...
Emily D’Angelo earns ovation in ROH Clemenza
Mozart's La clemenza di Tito is currently undergoing a process of reappraisal by reinterpretation,...
Canadians create “highlight” of SFO’s The Adlers: Live at the Drive-In
San Francisco Opera (SFO), like so many musical organizations, has countered the pandemic closure...
