Reviews

The Golden Dragon; Opera: Passion, Power and Politics – review

The Golden Dragon; Opera: Passion, Power and Politics – review

Birmingham Rep; V&A, London Peter Eötvös’s tragicomic opera about a Chinese immigrant worker cuts to the quick in Music Theatre Wales’s visceral production. At the V&A, hold on to your headphones… At first sight a jaunty skit on life in a Chinese restaurant –...

Gluck’s Orphée et Eurydice at  Lyric Opera of Chicago

Gluck’s Orphée et Eurydice at Lyric Opera of Chicago

The roles of Orphée, Eurydice, and Amour are sung by Dmitry Korchak, Adrianna Chuchman, and Lauren Snouffer. Dance sequences are performed by members of the Joffrey Ballet. The Lyric Opera Orchestra is conducted by Harry Bicket, while the Lyric Opera Chorus has been...

Michelle DeYoung, Mahler Symphony no 3 London

Michelle DeYoung, Mahler Symphony no 3 London

The concert was live streamed worldwide, an indication of just how important this concert was, for it marks the Philharmonia's 34-year relationship with Salonen. I missed the first concert in 1983 when a very young Salonen substituted at a few days’ notice. The score...

King Arthur at the Barbican: a semi-opera for the ‘Brexit Age’

King Arthur at the Barbican: a semi-opera for the ‘Brexit Age’

Do we need to know the political context in which a work was created in order to fully appreciate its ‘worth’? Does that political context need to be made ‘relevant’ to present audiences? There are no simple or ‘right’ answers to those questions, but in the light of...

Elder conducts Lohengrin

Elder conducts Lohengrin

There have been dozens of capable, and more than capable, recordings of Lohengrin. Among the most-often praised are the Sawallisch/Bayreuth (1962), Kempe (1963), Solti (1985), and Abbado (1991). Recording a major Wagner opera involves heavy costs that a record company...

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