The Guardian view on the ‘yellowface’ casting row: classical music has a diversity problem | Editorial
The pulling of Peter Eötvös’s opera The Golden Dragon from the Hackney Empire must provoke some...
Les Vêpres Siciliennes review – an electrifying night at the Opéra
Royal Opera House, London Stefan Herheim’s take on Verdi is restless, lurid and saturated with the...
Review: The Elixir of Love at the Four Seasons Centre for the Performing Arts, Toronto, Oct. 11 2017
Smalltown Canada setting Donizetti’s rustic melodramma giocoso (comic opera) The Elixir of...
The Devil Came Up to Boston for Cerise Lim Jacobs’ New Opera, “REV. 23”
REVIEW of REV. 23, a new comic opera that sees beyond the End of Days, conceived and written by...
From the House of the Dead review – Welsh National Opera’s landmark staging demands to be heard
Millennium Centre, Cardiff Welsh National Opera’s revival brings David Pountney’s 1982 version...
Giulio Cesare and Dardanus review – ETO update Handel and make Rameau feel contemporary
Hackney Empire, London English Touring Opera’s ambitious autumn programme features two baroque...
