Pacific Opera Victoria’s season-opening production of Beethoven’s Fidelio is musically...

Pacific Opera Victoria’s season-opening production of Beethoven’s Fidelio is musically...
[vc_row][vc_column][vc_column_text]“Lord's vibrant, dark-hued soprano, with its lively vibrato, is...
[vc_row][vc_column][vc_column_text]“As Pinocchio (Le pantin), soprano Chloé Beuron is charming and...
At Canadian Opera Company on Oct. 13th, Daniel MacIvor and Rufus Wainwrights’ first collaboration,...
Soprano and vocal pedagogue Dominique Labelle feels honoured to receive one of this year’s Opera...
Less is not always more, especially in opera staging and design, but director Robert Carsen and...
Opera Canada Awards 2018 honouree, Alexander Neef, is in a thoughtful mood as he looks back on his...
Jani Lauzon’s I Call myself Princess (seen Sept. 13th) skilfully weaves together two stories. The...
The trouble with Paul Bunyan is that the music is too good. If Benjamin Britten hadn’t been...
It was with a certain degree of ambivalence that I attended the summer 2018 production of La...