This piece by Lydia Perović was originally published in the Final Word section of our summer 2021...

This piece by Lydia Perović was originally published in the Final Word section of our summer 2021...
In Opera Canada's new Q&A series, we've asked arts writers across the country to weigh in on...
We’ve all seen the pictures: Salzburg Festival defied the odds and put on two staged operatic...
The final Mozart-Da Ponte collaboration, 1790’s Cosí fan tutte, o sia La Scuola degli Amanti...
The availability of live-streamed and on-demand opera has exploded in the last five years. Major...
There are operas whose musical and dramatic brilliance does not show signs of ever running out, hundreds of years into their production history. Then there are operas which make you wonder if the art form is deader than a museum piece.
Canadian Opera Company’s nine-year-old production of Stravinsky’s shorts, The Nightingale and...